Discover a wealth of wisdom and insight from Haruki Murakami through their most impactful and thought-provoking quotes and sayings. Expand your perspective with their inspiring words and share these beautiful Haruki Murakami quote pictures with your friends and followers on social media platforms like Facebook, Twitter, or your personal blog - all free of charge. We've compiled the top 3212 Haruki Murakami quotes for you to explore and share with others.

You have to experience it to understand. One thing I can say, though, is that once you see that true sight with your own eyes, the world you've lived in up till now will look flat and insipid. There's no logic or illogic in that scene. No good or evil. Everything is merged into one. And you are part of that merging. You leave the boundary of your physical body behind to become a metaphysical being. You become intuition. By Haruki Murakami Understand Experience Eyes Insipid Thing

Something must be fundamentally wrong with me, Tsukuru often thought. Something must be blocking the normal flow of emotions, warping my personality. But Tsukuru couldn't tell whether this blockage came about when he was rejected by his four friends, or whether it was something innate, a structural issue unrelated to the trauma he'd gone through. By Haruki Murakami Thought Tsukuru Fundamentally Wrong Emotions

The two of them on top of the freezing slide, wordlessly holding hands. Once again they were a ten-year-old boy and girl. A lonely boy, and a lonely girl. A classroom, just after school let out, at the beginning of winter. They had neither the power nor the knowledge to know what they should offer to each other, what they should be seeking. They had never, ever, been truly loved, or truly loved someone else. They had never held anyone, never been held. They had not idea, either, where this action would take them. What they entered then was a doorless room. They couldn't get out, nor could anyone else come in. The two of them didn't know it at the time, but this was the only truly complete place in the entire world. Totally isolated, yet the one place not tainted with loneliness. By Haruki Murakami Slide Wordlessly Hands Girl Top

Ideas are like beards. Men don't have them until they grow up. Somebody said that, but I can't remember who.""Voltaire," the younger man said. He rubbed his chin and smiled, a cheerful,unaffected smile. "Voltaire might be off the mark, though, when it comes to me. I have hardly any beard at all, but have loved thinking about things since I was a kid."His face was indeed smooth, with no hint of a beard. His eyebrows were narrow, but thick, his ears nicely formed, like lovely seashells. "I wonder if what Voltaire meant wasn't ideas as much as meditation," Tsukuru said. The man inclined his head a fraction. "Pain is what gives rise to meditation. It hasnothing to do with age, let alone beards. By Haruki Murakami Voltaire Meditation Ideas Man Beards

People fall in love without reason, without even wanting to. You can't predict it. That's love. By Haruki Murakami People Reason Fall Wanting Love

Not everybody is looking for a boyfriend with a sports car. By Haruki Murakami Car Boyfriend Sports

In any case, though, I believe that I have no been fair to you and that, as a result, I must have led you around in circles and hurt you deeply. In doing so, however, I have led myself around in circles and hurt myself just as deeply. I say this not as an excuse or means of self-justification but because it's true. If I have left a wound inside you, it is not just your wound, but mine as well. So please try not to hate me. I am a flawed human being - a far more flawed human being than you realize. Which is precisely why I do not want you to hate me. Because if you were to do that I would really go to pieces. I can't do what you can do: I can't slip inside my shell and wait for things to pass. I don't know for a fact that you are really like that, but sometimes you give me that impression. I often envy that in you, which may be why I led you around in circles so much. By Haruki Murakami Circles Led Deeply Hurt Case

I can't imagine finding anybody to take your place.""You might not find a person that easily, but you could probably find a way without too much trouble," Aomama noted.The dowager looked at Aomame calmly, her lips forming a satisfied smile. "That may be true," she said, "but I almost surely could never find anthing to take the place of what we are sharing here and now. You are you and only you. I'm very grateful for that. More grateful than I can say. By Haruki Murakami Aomama Aomame Find Place Easily

To me, love is a pure idea forged in flesh, awkwardly maybe, but it had to connect to somewhere, despite twists and turns of underground cable. An all-too-perfect thing. Sometimes the lines get crossed. Or you get a wrong number. But that's nobody's fault. It'll always be like that, so long as we exist in this physical form. As a matter of principle. By Haruki Murakami Love Flesh Awkwardly Cable Pure

Here's what hurst the most," Kafuku said. "I didn't truly understand her--or at least some crucial part of her. And it may well end that way now that she's dead and gone. Like a small, locked safe lying at the bottom of the ocean. It hurts a lot."Tatsuki thought for a moment before speaking."But Mr. Kafuku, can any of us ever perfectly understand another person? However much we may love them? By Haruki Murakami Kafuku Hurst Understand Tatsuki Crucial

The world is mediocre. About that there is no mistake. Well then, has the world been mediocre since time immemorial? No. In the beginning, the world was chaos, and chaos is not mediocre. The mediocratization began when people separated the means of production from daily life. For when Karl Marx posited the proletariat, he thereby cemented their mediocrity. And precisely because of this, Stalinism forms a direct link with Marxism. I affirm Marx. He was one of those rare geniuses whose memory extended back to primal chaos. And by the same token, I have high regard for Dostoyevsky. Nonetheless, I do not hold with Marxism. It is far too mediocre. By Haruki Murakami Mediocre World Marxism Marx Chaos

Hey, I'm not a total idiot," said Nagasawa. "Of course life frightens me sometimes. I don't happen to take that as the premise for everything else, though. I'm going to give it a hundred percent and go as far as I can. I'll take what I want and leave what I don't want. That's how I intend to live my life, and if things go bad, I'll stop and reconsider at that point. If you think about it, an unfair society is a society that makes it possible for you to exploit your abilities to the limit." "Sounds like a pretty self-centered way to live," I said. "Maybe so, but I'm not just looking up at the sky and waiting for the fruit to drop. In my own way, I'm working hard. I'm working ten times harder than you are." "That's probably true," I said. By Haruki Murakami Nagasawa Hey Idiot Total Life

How much do you love me?' Midori asked.'Enough to melt all the tigers in the world to butter,' I said. By Haruki Murakami Love Midori Asked Butter Melt

You have to overcome the fear and anger inside you," the boy named Crow says. "Let a bright light shine in and melt the coldness in your heart. That's what being tough is all about. Do that and you really will be the toughest fifteen-year-old on the planet. You following me? There's still time. You can still get your self back. Use your head. Think about what you've got to do. You're no dunce. You should be able to figure it out. By Haruki Murakami Crow Overcome Fear Anger Inside

Afterward, Tsukuru Tazaki's life was changed forever, as if a sheer ridge had divided the original vegetation into two distinct biomes. By Haruki Murakami Afterward Tsukuru Tazaki Forever Biomes

The moon had been observing the earth close-up longer than anyone. It must have witnessed all of the phenomena occurring - and all of the acts carried out - on this earth. But the moon remained silent; it told no stories. All it did was embrace the heavy past with a cool, measured detachment. On the moon there was neither air nor wind. Its vacuum was perfect for preserving memories unscathed. No one could unlock the heart of the moon. Aomame raised her glass to the moon and asked, "Have you gone to bed with someone in your arms lately?" The moon did not answer. "Do you have any friends?" she asked. The moon did not answer. "Don't you get tired of always playing it cool?"The moon did not answer. By Haruki Murakami Moon Earth Answer Observing Closeup

The scent of the sea and the burning asphalt being carried on the southerly wind made me think of summers past. The warmth of a girl's skin, old rock n' roll, button-down shirts right out of the wash, the smell of cigarettes smoked in the pool locker room, faint premonitions, everyone's sweet, limitless summer dreams. And then one year(when was it?), those dreams didn't come back. By Haruki Murakami Past Scent Sea Burning Asphalt

I can't find the image, I said to myself. I'm thirty, I'm standing still, and I can't find the image. By Haruki Murakami Image Find Thirty Standing

I could do just about anything if somebody made me. But I don't have an image of the one thing I really want to do. That's my problem now. I can't find the image ... I'm standing still, and I can't find the image.- Toru By Haruki Murakami Made Find Image Toru Thing

I look up at the sky, wondering if I'll catch a glimpse of kindness there, but I don't. All I see are indifferent summer clouds drifting over the Pacific. And they have nothing to say to me. Clouds are always taciturn. I probably shouldn't be looking up at them. What I should be looking at is inside of me. Like staring down into a deep well. Can I see kindness there? No, all I see is my own nature. My own individual, stubborn, uncooperative often self-centered nature that still doubts itselfthat, when troubles occur, tries to find something funny, or something nearly funny, about the situation. I've carried this character around like an old suitcase, down a long, dusty path. I'm not carrying it because I like it. The contents are too heavy, and it looks crummy, fraying in spots. I've carried it with me because there was nothing else I was supposed to carry. Still, I guess I have grown attached to it. As you might expect. By Haruki Murakami Sky Wondering Catch Glimpse Clouds

There are some things in this world that can be done over, and some that can't. And time passing is one thing that can't be redone. Come this far, and you can't go back. By Haruki Murakami World Redone Things Thing Back

And she leaves. She opens the door and, without a backward glance, goes out and shuts the door. I stand at the window and watch her go. She vanishes in the shadow of a building. Hands resting on the sill, I gaze for the longest time at where she disappeared. Maybe she forgot something she wanted to say and will come back. But she never does. All that's left is an absence that's like a hollow space. By Haruki Murakami Leaves Door Glance Opens Backward

The proposition that we can look into another person's heart with perfect clarity strikes me as a fool's game. I don't care how well we think we should understand them, or how much we love them. All it can do is cause us pain. Examining your own heart, however, is another matter. I think it's possible to see what's in there if you work hard enough at it. So in the end maybe that's the challenge: to look inside your own heart as perceptively and seriously as you can, and to make peace with what you find there. If we hope to truly see another person, we have to start by looking within ourselves. By Haruki Murakami Game Heart Proposition Perfect Clarity

Hey, there, Kizuki, I thought. Unlike you, I've chosen to live - and to live the best I know how. Sure, it was hard for you. What the hell, it's hard for me. Really hard. And all because you killed yourself and left Naoko behind. But that's something I will never do. I will never, ever, turn my back on her. First of all, because I love her, and because I'm stronger than she is. And I'm just going to keep on getting stronger. I'm going to mature. I'm going to be an adult. Because that's what I have to do. I always used to think I'd like to stay 17 or 18 if I could. But not any more. I'm not a teenager any more. I've got a sense of responsibility now. I' m not the same person I was when we used to hang out together. I'm 20 now. And I have to pay the price to go on living. By Haruki Murakami Kizuki Hard Hey Live Thought

She repeated what her mother had told me, that she had been moved when she heard me playing as she passed the house. She had seen me on the street a few times, too, and begun to worship me. She actually used that word: worship. It made me turn bright red. I mean, to be 'worshiped' by such a beautiful little doll of a girl! I don't think it was an absolute lie, though. I was in my thirties already, of course, and I could never be as beautiful and bright as she was, and I had no special talent, but I must have had something that drew her to me, something that was missing in her, I would guess. Which must have been what got her interested in my to begin with. I believe that now, looking back. And I'm not boasting. By Haruki Murakami House Repeated Mother Told Moved

He does not exist here, with me, but flesh that does not exist will never die, and promises unmade are never broken. By Haruki Murakami Exist Die Broken Flesh Promises

But how do you see you?" she asked."Ever read The Brothers Karamazov?" I asked."Once, a long time ago.""Well, toward the end, Alyosha is speaking to a young student named Kolya Krasotkin. And he says, Kolya, you're going to have a miserable future. But overall, you'll have a happy life."Two beers down, I hesitated before opening my third."When I first read that, I didn't know what Alyosha meant," I said. "How was it possible for a life of misery to be happy overall? But then I understood, that misery could be limited to the future.""I have no idea what you're talking about.""Neither do I," I said. "Not yet. By Haruki Murakami Karamazov Brothers Asked Kolya Alyosha

Samsa certainly had no idea what lay ahead. He was in the dark about everything: the future, of course, but the present and the past as well . What was right, and what was wrong? Just learning how to dress was a riddle. By Haruki Murakami Samsa Ahead Idea Lay Future

Can I be honest with you, Mr. Wind-Up Bird? I mean, really, really, really honest? Sometimes I get sooo scared! I'll wake up in the middle of the night all alone, hundreds of miles away from anybody, and it's pitch dark, and I have absolutely no idea what's going to happen to me in the future, and I get so scared I want to scream. Does that happen to you, Mr. Wind-Up Bird? When it happens, I try to remind myself that I am connected to others - other things and other people. I work as hard as I can to list their names in my head. On that list, of course, is you, Mr. Wind-Up Bird. And the alley, and the well, and the persimmon tree, and that kind of thing. And the wigs that I've made here with my own hands. And the little bits and pieces I remember about the boy. All these little things (though you're not just another one of those little things, Mr. Wind-Up Bird, but anyhow ... ) help me to come back "here" little by little. By Haruki Murakami Bird Windup Honest Things Happen

Whenever I heard that languid, beautiful melody, those days came back to me. It wasn't what I'd characterize as a happy part of my life, living as I was, a balled-up mass of unfulfilled desires. I was much younger, much hungrier, much more alone. But I was myself, pared down to the essentials. I could feel each single note of music, each line I read, seep down deep inside me. My nerves were sharp as a blade, my eyes shining with a piercing light. And every time I heard that music, I recalled my eyes then, glaring back at me from a mirror. By Haruki Murakami Languid Beautiful Melody Days Heard

In front of the inn was a beautiful mountain stream where one could catch lots of firm, colorful fish. Noisy birds were always skimming over the surface of the stream, their calls piercing, and it wasn't unusual to spot wild boar or monkeys roaming around nearby. The mountains were a treasure trove of edible wild plants. In this isolated environment, young Haida was able to indulge himself in reading and contemplation. He no longer cared what was happening in the real world. By Haruki Murakami Firm Colorful Fish Stream Front

You need to come face-to-face with the past, not as some naive, easily wounded boy, but as a grown-up, independent professional. Not to see what you want to see, but what you must see. Otherwise you'll carry around that baggage for the rest of your life. By Haruki Murakami Past Naive Easily Boy Grownup

A giant octopus living way down deep at the bottom of the ocean. It has this tremendously powerful life force, a bunch of long, undulating legs, and it's heading somewhere, moving through the darkness of the ocean ... It takes on all kinds of different shapes - sometimes it's 'the nation,' and sometimes it's 'the law,' and sometimes it takes on shapes that are more difficult and dangerous than that. You can try cutting off its legs, but they just keep growing back. Nobody can kill it. It's too strong, and it lives too far down in the ocean. Nobody knows where its heart is. What I felt then was a deep terror. And a kind of hopelessness, a feeling that I could never run away from this thing, no matter how far I went. And this creature, this thing doesn't give a damn that I'm me or you're you. In its presence, all human beings lose their names and their faces. We all turn into signs, into numbers. By Haruki Murakami Ocean Giant Octopus Living Bottom

Aren't you afraid, though?" Ayumi asked Aomame."Afraid of what?""Don't you see? You and he might never cross paths again. Of course, a chance meeting could occur, and I hope it happens. I really do, for your sake. But realistically speaking, you have to see there's a huge possibility you'll never be able to meet him again. And even if you do meet, he might already be married to somebody else. He might have two kids. Isn't that so? And in that case, you may have to live the rest of your life alone, never being joined with the one person you love in all the world. Don't you find that scary?Aomame stared at the red wine in her glass. "Maybe I do," she said. "But at least I have someone I love. By Haruki Murakami Afraid Aomame Meet Love Ayumi

I decided to make spaghetti for lunch again. Not that I was the least bit hungry. But I couldn't just go on sitting on the sofa, waiting for the phone to ring. I had to move my body, to begin working toward some goal. I put water in a pot, turned on the gas, and until it boiled I would make tomato sauce while listening to an FM broadcast. The radio was playing an unaccompanied violin sonata by Bach. The performance itself was excellent, but there was something annoying about it. I didn't know whether this was the fault of the violinist or of my own present state of mind, but I turned off the music and went on cooking in silence. I heated the olive oil, put garlic in the pan, and added minced onions. When these began to brown, I added the tomatoes that I had chopped and strained. It was good to be cutting things and frying things like this. It gave me a sense of accomplishment that I could feel in my hands. I liked the sounds and the smells. By Haruki Murakami Decided Spaghetti Lunch Make Turned

It means leaving behind your physical body. Leaving the cage of your physical flesh, breaking free of the chains, and letting pure logic soar. Giving a natural life to logic. That's the core of free thought. By Haruki Murakami Body Physical Leaving Logic Free

How many times have you said, 'This is it. I've finally found my one true love'? And how many times has the reality turned out differently? Paperback romances and fairy tales promote an ideal of a first and only love, but few of us can claim to have had such uncomplicated good fortune. For most people, the process of finding the perfect partner is one trial and error: breakups, makeups, missed opportunities and misunderstandings. Human love is a fragile creation, and sometimes the smallest thing - the wrong choice of words or a single clumsy gesture - can make love shatter, stall or fade away. By Haruki Murakami Love Times Finally Found True

Yup, you're in a strange position, all right. You're in love with a girl who is no more, jealous of a boy who's gone forever. Even so, this emotion you're feeling is more real, and more intensely painful, than anything you've ever felt before. And there's no way out. No possibility of finding an exit. You've wandered into a labyrinth of time, and the biggest problem of all is that you have no desire at all to get out. Am I right? By Haruki Murakami Yup Position Strange Jealous Forever

Her dizziness has faded, but the rocking sensation continues. She feels as if her footing has been swept out from under her. Her body's interior has lost all necessary weight and is becoming a cavern. Some kind of hand is deftly stripping away everything that has constituted her as Eri until now: the organs, the senses, the muscles, the memories. She knows she will end up as a mere convenient conduit used for the passage of external things. Her flesh creeps with the overwhelming sense of isolation this gives her. I hate this! she screams. I don't want to he changed this way! But her intended scream never emerges. All that leaves her throat in reality is a fading whimper. By Haruki Murakami Faded Continues Dizziness Rocking Sensation

I go out on the porch and gaze up at the stars twinkling above, the random scattering of millions of stars. Even in a planetarium you wouldn't find as many. Some of them really look big and distinct, like if you reached your hand out intently you could touch them. The whole thing is breathtaking. Not just beautiful thoughthe stars like the trees in the forest, alive and breathing. And they're watching me. What I've done up till now, what I'm going to dothey know it all. Nothing gets past their watchful eyes. As I sit there under the shining night sky, again a violent fear takes hold of me. My heart's pounding a mile a minute, and I can barely breathe. All these millions of stars looking down on me, and I've never given them more than a passing thought before. Bot just starshow many other things haven't I noticed in the world, things I know nothing about? I suddenly feel helpless, completely powerless. And I know I'll never outrun that awful feeling. (135) By Haruki Murakami Stars Porch Gaze Twinkling Random

To fill in the silence Tsukuru lowered the needle onto the record again, went back to the sofa, and settled in to listen to the music. This time he tried his best not to think of anything in particular. With his eyes closed and his mind a blank, he focused solely on the music. Finally, as if lured in by the melody, images flashed behind his eyelids, one after the next, appearing, then disappearing. A series of images without concrete form or meaning, rising up from the dark margins of consciousness, soundlessly crossing into the visible realm, only to be sucked back into the margins on the other side and vanish once again. Like the mysterious outline of microorganisms swimming across the circular field of vision of a microscope. By Haruki Murakami Tsukuru Music Sofa Fill Silence

You'll be going back to Tokyo before much longer," Midorikawa quietly stated. "And you'll return to real life. You need to live life to the fullest. No matter how shallow and dull things might get, this life is worth living. I guarantee it. And I'm not being either ironic or paradoxical. It's just that, for me, what's worthwhile in life has become a burden, something I can't shoulder anymore. Maybe I'm just not cut out for it. So, like a dying cat, I've crawled into a quiet, dark place, silently waiting for my time to come. It's not so bad. But you're different. You should be able to handle what life sends your way. You need to use the thread of logic, as best as you can, to skillfully sew onto yourself everything that's worth living for. By Haruki Murakami Midorikawa Tokyo Life Longer Stated

As the autumn deepens, the fathomless lakes of their eyes assume an ever more sorrowful hue. The leaves turn color, the grasses wither; the beasts sense the advance of a long, hungry season. And bowing to their vision, I too know a sadness. By Haruki Murakami Deepens Hue Autumn Fathomless Lakes

From the photo albums, every single print of her had been peeled away. Shots of the both of us together had been cut, the parts with her neatly trimmed away, leaving my image behind. Photos of me alone or of mountains and rivers and deer and cats were left intact. Three albums rendered into a revised past. It was as if I'd been alone at birth, alone all my days, and would continue alone. By Haruki Murakami Single Print Peeled Albums Shots

One guy yelled at me, 'You stupid bitch, how do you live like that with nothing in your brain?' Well, that did it. I wasn't going to put up with that. Ok, I'm not so smart. I'm working class. But it's the working class that keeps the world running, and it's the working classes that get exploited. What kind of revolution is it that just throws out big words that working-class people can't understand? What kind of crap social revolution is that? I mean, I'd like to make the world a better place, too. If somebody's really being exploited, we've got to put a stop to it. That's what I believe, and that's why I ask questions. Am I right, or what? By Haruki Murakami Working Bitch Brain Guy Yelled

I think serious readers of books are 5% of the population. If there are good TV shows or a World Cup or anything, that 5% will keep on reading books very seriously, enthusiastically. And if a society banned books, they would go into the forest and remember all the books. So I trust in their existence. I have confidence. By Haruki Murakami Books Population Readers World Cup

There was much about him that was fine and beautiful, but he could never find the confidence he needed. By Haruki Murakami Beautiful Needed Fine Find Confidence

Beautiful features, always immaculately dressed, the kind of woman that makes a great impression. Their hair is always nicely curled. They major in French literature at expensive private women's colleges, and after graduation find jobs as receptionists or secretaries. They work for a few years, visit Paris for shopping once a year with their girlfriends. They finally catch the eye of a promising young man in the company, or else are formally introduced to one, and quit work to get married. They then devote themselves to getting their children into famous private schools. As he sat there, Tsukuru pondered the kind of lives they led. By Haruki Murakami Beautiful Features Dressed Impression Immaculately

Letters are just pieces of paper," I said. "Burn them, and what stays in your heart will stay; keep them, and what vanishes will vanish. By Haruki Murakami Letters Paper Burn Pieces Vanish

Don't you see? You and he might never cross paths again. Of course, a chance meeting could occur, and I hope it happens. I really do, for your sake. But realistically speaking, you have to see there's a huge possibility you'll never be able to meet him again. And even if you do meet, he might already be married to somebody else. He might have two kids. Isn't that so? And in that case, you may have to live the rest of your life alone, never being joined with the one person you love in all the world. Don't you find that scary? By Haruki Murakami Meet Cross Paths Occur Sake

So what can I do now?" she spoke up a minute later."Nothing," I said. "Just think about what comes before words. You owe that to the dead. As time goes on, you'll understand. What lasts, lasts; what doesn't, doesn't. Time solves most things. And what time can't solve, you have to solve yourself. Is that too much to ask?""A little," she said, trying to smile."Well, of course it is," I said, trying to smile too."I doubt that this makes sense to most people. But I think I'm right. People die all the time. Life is a lot more fragile than we think. So you should treat others in a way that leaves no regrets. Fairly, and if posible, sincerely. It's too easy not to make the effort, then weep and wring your hands after the person dies. Personally, I don't buy it."Yuki leaned against the car door. "But that's real hard, isn't it?" she said."Real hard," I said. "But it's worth trying for. By Haruki Murakami Time Later Spoke Minute Real

As I sorted through my confusion, I started to get mad. More and more, this had turned into one grotesque comedy of mishaps, and I didn't think it was funny. How much did the rat know? And while we're at it, hot much did the man in the black suit know? Here I was, smack in the center of everything without a clue. At every turn, I'd been off base, way off the mark. Of course, you can say the same about my whole life. In that sense, I suppose I had no one to blame. All the same, what gave them the right ti treat me like this? I'd been used, I'd been beaten, I'd been wrung dry. By Haruki Murakami Confusion Mad Sorted Started Mishaps

Why'd you quit?""I guess I was fed up with the whole thing. But I gave it my best shot. Surprised myself, really. I learned to think about people other than me, but in the end I just got kicked around by a cop. The way I see it, sooner or later everyone returns to his post. Except yours truly. For me, it was a game of musical chairs -- there was no place I could call my own.""So what'll you do now?"The Rat toweled off his feet."I might write a novel," he said a moment later. "What do you think?""I think it's a great idea."The Rat nodded."What kind of novel?""A good novel. From where I stand, anyway. I doubt I have any special talent for writing, but if I stick with it at least I can become more enlightened. Otherwise, what's the point, right?""Right.""So the novel will be for myself. Or maybe for the cicadas.""The cicadas?""Yeah. By Haruki Murakami Quit Thing Guess Fed Rat

Well, if I were you, I'd leave him. I'd find someone with a more normal way of looking at things and live happily ever after. There's no way in hell you can be happy with him. The way he lives, it never crosses his mind to try to make himself happy or to make others happy. Staying with him will only wreck your nervous system. To me, it's already a miracle that you've been with him three years. Of course, I'm very fond of him in my own way. He's fun, and he has lots of great qualities.He has strengths and abilities that I could never hope to match. But in the end, his ideas about things and the way he lives his life are not normal. Sometimes, when I'm talking to him, I feel as if I'm goingaround and around in circles. The same process that takes him higher and higher leaves me going around in circles. It makes me feel so empty! Finally, our very systems are totally different. Do you see what I'm saying? By Haruki Murakami Happy Lives Circles Things Make

I was twenty-nine years old. In six months my twenties would be over. A whole decade since living here. One big blank. Not one thing of value had I gotten out of it, not one meaningful thing had I done. Boredom was all there was.How were things before? Surely there had to have been something positive. Had there been anything that really moved me, anything that really moved anyone? Maybe, but still it was all gone now. Lost, perhaps meant to be lost. Nothing I can do about it, got to let it go.At least I was still around. If the only good Indian is a dead Indian, it was my fate to go on living.What for?To tell tales to a stone wall?Really, now. By Haruki Murakami Twentynine Years Indian Lost Thing

Your heart is like a great river after a long spell of rain, spilling over its banks. All signposts that once stood on the ground are gone, inundated and carried away by that rush of water. And still the rain beats down on the surface of the river. Every time you see a flood like that on the news you tell yourself: That's it. That's my heart. By Haruki Murakami Spilling Banks Great Long Spell

It might be a little silly for someone getting to be my age to put this into words, but I just want to make sure I get the facts down clearly : I'm the kind of person who likes to be by himself. To put a finer point on it, I'm the type of person who doesn't find it painful to be alone. I find spending an hour or two everyday running alone, not speaking to anyone as well as four of five hours at my desk, to be neither difficult or boring. By Haruki Murakami Person Put Words Silly Age

I began to draw an invisible boundary between myself and other people. No matter who I was dealing with. I maintained a set distance, carefully monitoring the person's attitude so that they wouldn't get any closer. I didn't easily swallow what other people told me. My only passions were books and music By Haruki Murakami Began Draw Invisible Boundary People

I mean that I'd change into something I shouldn't." Miss Saeki looks at me with great interest. "As long as there's such a thing as time, everybody's damaged in the end, changed into something else. It always happens, sooner or later." "But even if that happens, you've got to have a place you can retrace your steps to." "A place you can retrace your steps to?" "A place that's worth coming back to." Miss By Haruki Murakami Place Change Saeki Miss Retrace

I watched the moon alone, unable to share his cold beauty with anyone. By Haruki Murakami Unable Watched Moon Share Cold

It feels like somehow our hearts have become intertwined. Like when she feels something, my heart moves in tandem. Like we're two boats tied together with rope. Even if you want to cut the rope, there's no knife sharp enough to do it. Later By Haruki Murakami Intertwined Feels Rope Tandem Hearts

Tengo had no particular desire for other women. What he wanted most of all was uninterrupted free time. If he could have sex on a regular basis, he had nothing more to ask of a woman. He did not welcome the unavoidable responsibility that came with dating a woman his own age, falling in love, and having a sexual relationship. The psychological stages through which one had to pass, the hints regarding various possibilities, the unavoidable collisions of expectations: Tengo hoped to get by without taking on such burdens.The concept of duty always made Tengo cringe. He had lived his life thus far skillfully avoiding any position that entailed responsibility, and to do so, he was prepared to endure most forms of deprivation. By Haruki Murakami Tengo Women Desire Woman Unavoidable

I just gave them a little scare. A touch of psychological terror. As Joseph Conrad once wrote, true terror is the kind that men feel towards their imagination. (from Super-frog Saves Tokyo) By Haruki Murakami Scare Gave Terror Tokyo Joseph

Of course life frightens me sometimes. I don't happen to take that as the premise for everything else though. I'm going to give it hundred percent and go as far as I can. I'll take what I want and leave what I don't want. That's how I intend to live my life, and it things go bad, I'll stop and reconsider at that point. If you think about it, an unfair society is a society that makes it possible for you to exploit your abilities to the limit. By Haruki Murakami Frightens Life Society Happen Premise

That we are in here not to correct the deformation but to accustom ourselves to it: that one of our problems was our inability to recognize and accept our own deformities. Just as each person has certain idiosyncrasies in the way he or she walks, people have idiosyncrasies in the way they think and feel and see things, and though you might want to correct them, it doesn't happen overnight, and if you try to force the issue in one case, something else might go funny. By Haruki Murakami Correct Deformities Deformation Accustom Problems

Along the way I stopped into a coffee shop. All around me normal, everyday city types were going about their normal, everyday affairs. Lovers were whispering to each other, businessmen were poring over spread sheets, college kids were planning their next ski trip and discussing the new Police album. We could have been in any city in Japan. Transplant this coffee shop scene to Yokohama or Fukuoka and nothing would seem out of place. In spite of which or, rather, all the more because here I was, sitting in this coffee shop, drinking my coffee, feeling a desperate loneliness. I alone was the outsider. I had no place here. Of course, by the same token, I couldn't really say I belonged to Tokyo and its coffee shops. But I had never felt this loneliness there. I could drink my coffee, read my book, pass the time of day without any special thought, all because I was part of the regular scenery. Here I had no ties to anyone. Fact is, I'd come to reclaim myself. By Haruki Murakami Coffee Shop Normal Everyday Stopped

You try too hard to make life fit your way of doing things. If you don't want to spend time in an insane asylum, you have to open up a little more and let yourself go with life's natural flow. I'm just a powerless and imperfect woman, but still there are times when I think to myself how wonderful life can be! Believe me, it's true! So stop what you're doing this minute and get happy. Work at making yourself happy! By Haruki Murakami Life Things Hard Make Fit

I am not religious. I only believe in the power of imagination. And the fact that there isn't only one reality. The real world and another, unreal world exist at the same time, they are strongly connected. Sometimes they overlap, blend. And if I want, if I concentrate a lot, I can cross the border. I can come and go. That is what's happening in my books. That's the point. My stories take place on one side, then the other, and I don't even recognize the difference anymore. By Haruki Murakami Religious World Imagination Power Reality

That's what it felt like. Passed through is the only way I can express it. Like my body had passed clean through a stone wall. At what exact point I felt like I'd made it through, I can't recall, but suddenly I noticed I was already on the other side. I was convinced I'd made it through. I don't know about the logic or the process or the method involved - I was simply convinced of the reality that I'd passed through.After that, I didn't have to think anymore. Or, more precisely, there wasn't the need to try to consciously think about not thinking. All I had to do was go with the flow and I'd get there automatically. If I gave myself up to it, some sort of power would naturally push me forward. By Haruki Murakami Passed Felt Made Convinced Express

I didn't know it would get this hot," she said. "It's hot as hell.""Hell is hotter.""Sounds like you've been there.""I've heard it from someone. They make it hotter and hotter till you think you'll go crazy; then they move you someplace cooler for a while. Then when you're recovered a little they move you back again.""So hell it's like a sauna.""Yeah, more or less. But a few can't recover and go totally bonkers.""So what happens to them?""They get sent up to heaven, where they're forced to paint the walls. You see, the walls in heaven have to be kept a perfect white. As a result, they have to keep painting from dawn till dusk every day. It messes up their respiratory systems big time. By Haruki Murakami Hot Hell Sounds Move Hotter

And each time he finished a sentence, there was a tiny but meaningful lump of silence left behind. This lump floated there, enclosed in the car's restricted space like an imaginary miniature cloud, giving Aomame a strangely unsettled feeling. By Haruki Murakami Sentence Lump Time Finished Tiny

What human being doesn't hesitate and feel hurt?" Hatsumi demanded. "Are you trying to say that you have never felt those things?""Of course I have, but I've disciplined myself to where I can minimize them. Even a rat will choose the least painful route if you shcok him enough.""But rats don't fall in love. By Haruki Murakami Hurt Human Hesitate Feel Hatsumi

It may well be that we can never fully adapt to our own deformities. Unable tofind a place inside ourselves for the very real pain and suffering that these deformities cause, we come here to get away from such things. As long as we are here, we can get by without hurting others or being hurt by them because we know that we are "deformed". That's whatdistinguishes us from the outside world: most people go about their lives unconscious of their deformities, while in this little world of ours the deformities themselves are a precondition. Just as Indians wearfeathers on their heads to show what tribe they belong to, we wear our deformities in the open. And we live quietly so as not to hurt one another. By Haruki Murakami Deformities Fully Adapt Hurt World

Where the road sloped upward beyond the trees, I sat and looked toward the building where Naoko lived. It was easy to tell which room was hers. All I had to do was find the one window toward the back where a faint light trembled. I focused on that point of light for a long, long time. It made me think of something like the final throb of a soul's dying embers. I wanted to cup my hands over what was left and keep it alive. I went on watching the way Jay Gatsby watched that tiny light on the opposite shore night after night. By Haruki Murakami Naoko Trees Lived Light Road

Nakata had passed away calmly in his sleep, most likely not thinking of anything. His face was peaceful, with no signs of suffering, regret, or confusion. Very Nakata-like, Hoshino concluded. But what his life really meant, Hoshino had no idea. Not that anybody's life had more clear-cut meaning to it. What's really important for people, what really has dignity, is how they die. Still, how you live determines how you die. These thoughts ran through his head as he stared at the face of the dead old man. By Haruki Murakami Hoshino Nakata Sleep Passed Calmly

But who can say what's best? That's why you need to grab whatever chance you have of happiness where you find it, and not worry about other people too much. My experience tells me that we get no more than two or three such chances in a life time, and if we let them go, we regret it for the rest of our lives. By Haruki Murakami Time Lives Grab Happiness Find

You know, they've got these chocolate assortments, and you like some but you don't like others? And you eat all the ones you like, and the only ones left are the ones you don't like as much? I always think about that when something painful comes up. Now I just have topolish these off, and everything'll be OK. Life is a box of chocolates. I suppose you could call it a philosophy. By Haruki Murakami Assortments Eat Left Chocolate Chocolates

Beautiful day out there," I said, perching on the stool and crossing my legs. "It's autumn, Sunday, great weather, and crowded everywhere you go. Relaxing indoors like this is the best thing you can do on such a nice day. It's exhausting to get into those crowds. And the air is bad. I mostly do laundry on Sundays - wash the stuff in the morning, hang it out on the roof of my dorm, take it in before the sun goes down, do a good job of ironing it. I don't mind ironing at all. There's a special satisfaction in making wrinkled things smooth. And I'm pretty good at it, too. Of course, I was lousy at it at first. I put creases in everything. After a month of practice, though, I knew what I was doing. So Sunday is my day for laundry and ironing. I couldn't do it today, of course. Too bad: wasted a perfect laundry day. By Haruki Murakami Day Sunday Beautiful Perching Legs

A child should learn from early on what kind of activity supported his daily life, and he should appreciate the importance of labor. Tengo By Haruki Murakami Life Labor Tengo Child Learn

All he felt was sorrow, as if he'd been abandoned at the bottom of a deep, dark pit. That's all it was - sorrow. That, and simple physical pain. By Haruki Murakami Sorrow Deep Dark Pit Felt

Reiko set the ball on the ground and patted my knee. "Look," she said, "I'm not telling you to stop sleeping with girls. If you're O.K. with that, then it's OK. It's your life after all, it's something you have to decide. All I'm saying is that you shouldn't use yourself up in some unnatural form. Do you see what I'm getting at? It would be such a waste. The years nineteen and twenty are a crucial stage in the maturation of character, and if you allow yourself to become warped when you're that age, it will cause you pain when you're older. It's true. So think carefully. If you want to take care of Naoko, take care of yourself too." I said I would think about it. By Haruki Murakami Reiko Knee Set Ball Ground

I forget my name," the cat said. "I had one, I know I did, but somewhere along the line I didn't need it anymore. So it's slipped my mind. By Haruki Murakami Forget Cat Anymore Line Mind

A girl doesn't always want to go out, you know, Mr. Wind-Up Bird. Sometimes she feels like being nastylike, if the guy's gonna wait, let him really wait. By Haruki Murakami Bird Wait Girl Windup Nastylike

Now I don't know if you realize it, but the film industry's a small world. It's like living in a tenement at one end of a back alley. Not only do you see everybody's dirty laundry, but once rumors start, you can't stop 'em. By Haruki Murakami World Realize Film Industry Small

I'm not the smartest girl in the world. If anything, I'm sort of on the stupid side, and old-fashioned. I couldn't care less about 'systems' and 'responsibility'. All I want is to get married and have a man I love hold me in his arms every night and make babies. That's plenty for me. It's all I want out of life. By Haruki Murakami World Smartest Girl Side Oldfashioned

In traveling, a companion, in life, compassion,'" she repeats, making sure of it. If she had paper and pencil, it wouldn't surprise me if she wrote it down. "So what does that really mean? In simple terms." I think it over. It takes me a while to gather my thoughts, but she waits patiently. "I think it means," I say, "that chance encounters are what keep us going. In simple terms. By Haruki Murakami Compassion Traveling Companion Life Repeats

Don't you see? It's just not possible for one person to watch over another person forever and ever. I mean, suppose we got married. You'd have to work during the day. Who's going to watch over me while you're away? Or if you go on a business trip, who's going to watch over me then? Can I be glued to you every minute of our lives? What kind of equality would there be in that? What kind of relationship would that be? Sooner or later you'd get sick of me. You'd wonder what you were doing with your life, why you were spending all your time babysitting this woman. I couldn't stand that. It wouldn't solve any of my problems. By Haruki Murakami Watch Person Kind Forever Suppose

But this isn't their God, she decided. It's my God. This is a God I have found through sacrificing my own life, through my flesh being cut, my skin ripped off, my blood sucked away, my nails torn, all my time and hopes and memories being stolen from me. This is not a God with a form. No white clothes, no long beard. This god has no doctrine, no scripture, no precepts. No reward, no punishment. This God doesn't give, and doesn't take away. There is no heaven up in the sky, no hell down below. When it's hot, and when it's cold, God is simply there. By Haruki Murakami God Decided Life Cut Torn

A regular wind-up toy world this is, I think. Once a day the wind-up bird has to come and wind the springs of this world. Alone in this fun house, only I grow old, a pale softball of death swelling inside me. Yet even as I sleep somewhere between Saturn and Uranus, wind-up birds everywhere are busy at work fulfilling their appointed rounds. By Haruki Murakami Windup World Regular Toy Uranus

I read it, too," Komatsu said after a short pause. "Right after you called me. The writing is incredibly bad. It's ungrammatical, and in some places you have no idea what she's trying to say. She should go back to school and learn how to write a decent sentence before she starts writing fiction." "But you did read it to the end, didn't you?" Komatsu smiled. It was the kind of smile he might have found way in the back of a normally unopened drawer. "You're right, I did read it all the way through - much to my own surprise. I never read these new writer prize submissions from beginning to end. I even reread some parts of this one. Let's just say the planets were in perfect alignment. I'll grant it that much." "Which means it has something, don't you think? By Haruki Murakami Read Komatsu Pause Short End

Reading was like an addiction; I read while I ate, on the train, in bed until late at night, in school, where I'd keep the book hidden so I could read during class. Before long I bought a small stereo and spent all my time in my room, listening to jazz records. But I had almost no desire to talk to anyone about the experience I gained through books and music. I felt happy just being me and no one else. In that sense I could be called a stack-up loner. By Haruki Murakami Read Reading Addiction Ate Train

I miss you terribly sometimes, but in general I go on living with all the energy I can muster. Just as you take care of the birds and the fields every morning, every morning I wind my own spring. I give it some 36 good twists by the time I've got up, brushed my teeth, shaved, eaten breakfast, changed my clothes, left the dorm, and arrived at the university. I tell myself, "OK, let's make this day another good one." I hadn't noticed before, but they tell me I talk to myself a lot these days. Probably mumbling to myself while I wind my spring. By Haruki Murakami Muster Morning Miss Terribly General

Sometimes fate is like a small sandstorm that keeps changing directions. You change direction but the sandstorm chases you. You turn again, but the storm adjusts. Over and over you play this out, like some ominous dance with death just before dawn. Why? Because this storm isn't something that has nothing to do with you, This storm is you. Something inside you. So all you can do is give in to it, step right inside the storm, closing your eyes and plugging up your ears so the sand doesn't get in, and walk through it, step by step. There's no sun there, no moon, no direction, no sense of time. Just fine white sand swirling up the sky like pulverized bones. By Haruki Murakami Storm Sandstorm Direction Fate Small

Most things are forgotten over time. Even the war itself, the life-and-death struggle people went through is now like something from the distant past. We're so caught up in our everyday lives that events of the past are no longer in orbit around our minds. There are just too many things we have to think about everyday, too many new things we have to learn. But still, no matter how much time passes, no matter what takes place in the interim, there are some things we can never assign to oblivion, memories we can never rub away. They remain with us forever, like a touchstone. By Haruki Murakami Things Forgotten Past Time Everyday

I plant my elbows on the kitchen table, prop up my chin and think: When the hell did the compass needle get out of whack and lead my life astray? By Haruki Murakami Table Prop Astray Plant Elbows

I'd be smiling and chatting away, and my mind would be floating around somewhere else, like a balloon with a broken string. By Haruki Murakami String Smiling Chatting Mind Floating

Strange as it may seem - or perhaps it does not seem so strange - they all had the same thought: it was so much easier to kill humans on the battlefield than animals in cages, even if, on the battlefield, one might end up being killed oneself. By Haruki Murakami Battlefield Strange Thought Cages Oneself

But finally, Mr. Wind-Up Bird, isn't that just what life is? Aren't we all trapped in the dark somewhere, and they've taken away our food and water, and we're slowly dying, little by little ... ? By Haruki Murakami Bird Finally Windup Life Water

The better you were able to imagine what you wanted to imagine, the farther you could flee from reality. By Haruki Murakami Imagine Reality Wanted Farther Flee

Noboru Wataya,Where are you?Did the wind-up birdForget to wind your spring? By Haruki Murakami Noboru Spring Watayawhere Windup Birdforget

There was a small stand of trees nearby, and from it you could hear the mechanical cry of a bird that sounded as if it were winding a spring. We called it the wind-up bird. Kumiko gave it the name. We didn't know what it was really called or what it looked like, but that didn't bother the wind-up bird. Every day it would come to the stand of trees in our neighborhood and wind the spring of our quiet little world. By Haruki Murakami Bird Nearby Windup Small Hear

I was living for one thing only, and that was to confirm my own lack of feeling. By Haruki Murakami Feeling Living Thing Confirm Lack

Whether by chance conjunction or not, the "wind-up bird" was a powerful presence in Cinnamon's story. The cry of this bird was audible only to certain special people, who were guided by it toward inescapable ruin. The will of human beings meant nothing, then, as the veterinarian always seemed to feel. People were no more than dolls set on tabletops, the springs in their backs wound up tight, dolls set to move in ways they could not choose, moving in directions they could not choose. Nearly all within range of the wind-up bird's cry were ruined, lost. Most of them died, plunging over the edge of the table. By Haruki Murakami Cinnamon Bird Story Chance Conjunction

The little things are important, Mr. Wind-Up Bird, By Haruki Murakami Bird Important Things Windup

Here's what I think, Mr. Wind-Up Bird," said May Kasahara. "Everybody's born with some different thing at the core of their existence. And that thing, whatever it is, becomes like a heat source that runs each person from the inside. I have one too, of course. Like everybody else. But sometimes it gets out of hand. It swells or shrinks inside me, and it shakes me up. What I'd really like to do is find a way to communicate that feeling to another person. But I can't seem to do it. They just don't get it. Of course, the problem could be that I'm not explaining it very well, but I think it's because they're not listening very well. They pretend to be listening, but they're not, really. So I get worked up sometimes, and I do some crazy things. By Haruki Murakami Bird Kasahara Windup Thing Inside

No, I don't think I've been defiled. But I haven't been saved, either. There's nobody who can save me right now, Mr. Wind-Up Bird. The world looks totally empty to me. Everything I see around me looks fake. The only thing thay isn't fake is that gooshy thing inside me. By Haruki Murakami Defiled Bird Fake Thing Saved

Then I noticed that my shadow was crying too, shedding clear, sharp shadow tears. Have you ever seen the shadows of tears, Mr. Wind-Up Bird? They're nothing like ordinary shadows. Nothing at all. They come here from some other, distant world, especially for our hearts. Or maybe not. It struck me then that the tears my shadow was shedding might be the real thing, and the tears that I was shedding were just shadows. You don't get it, I'm sure, Mr. Wind-Up Bird. When a naked seventeen-year-old girl is shedding tears in the moonlight, anything can happen. It's true. By Haruki Murakami Tears Bird Shedding Shadow Shadows

Have you ever seen the shadows of tears, Mr Wind-up Bird? They're nothing like ordinary shadows. Nothing at all. They come here from some other, distant world, especially for our hearts. By Haruki Murakami Bird Windup Tears Shadows Ordinary

From the moment of my birth, I lived with pain at the center of my life. My only purpose in life was to find a way to coexist with intense pain. By Haruki Murakami Birth Pain Life Moment Lived

Then she took my hand and touched it to the wound beside her eye. I caressed the half-inch scar. As I did so, the waves of her consciousness pulsed through my fingertips and into me - a delicate resonance of longing. Probably someone should take this girl in his arms and hold her tight, I thought. Probably someone other than me. Someone qualified to give her something. Goodbye, Mr. Wind-Up Bird. See you again sometime. By Haruki Murakami Eye Hand Touched Wound Scar

Maybe it's been like that for you till now. But you're not a kid anymore. You have the right to choose your own life. You can start again. If you want a cat, all you have to do is choose a life in which you can have a cat. It's simple. It's your right ... right? By Haruki Murakami Till Cat Choose Life Anymore

Picture a bird perched on a thin branch, she [Miss Saeki] says. 'The branch sways in the wind, and each time this happens the bird's field of vision shifts. You know what I mean?'I nod.'When that happens, how do you think the bird adjusts?'I shake my head. 'I don't know.''It bobs its head up and down, making up for the sway of the branch. Take a good look at birds the next time it's windy. I spend a lot of time looking out that window. Don't you think that kind of life would be tiresome? Always shifting your head every time the branch you're on sways?''I do.''Birds are used to it. It comes naturally to them. They don't have to think about it, they just do it. So it's not as tiring as we imagine. But I'm a human being, not a bird, so sometimes it does get tiring. By Haruki Murakami Miss Saeki Branch Bird Time

I was enveloped in numbness, and absence of feeling so deep the bottom was lost from view. By Haruki Murakami Numbness View Enveloped Absence Feeling

That's all I think about these days. Must be because I have so much time to kill every day. When you don't have anything to do, your thoughts get really, really far out-so far outyou can't follow them all the way to the end. By Haruki Murakami Days Day End Time Kill

It was a narrow world, a world that was standing still. But the narrower it became, the more it betook of stillness, the more this world that enveloped me seemed to overflow with things and people that could only be called strange. They had been there all the while, it seemed, waiting in the shadows for me to stop moving. And every time the wind-up bird came to my yard to wind its spring, the world descendedmore deeply into chaos. By Haruki Murakami World Narrow Standing Stillness Strange

Colors shone with exceptional clarity in the rain. The ground was a deep black, the pine branches a brilliant green, the people wrapped in yellow looking like special spirits that were allowed to wander over the earth on rainy mornings only. By Haruki Murakami Colors Rain Shone Exceptional Clarity

There is one thing I can say for certain: the older a person gets, the lonelier he becomes. It's true for everyone. But maybe that isn't wrong. What I mean is, in a sense our lives are nothing more than a series of stages to help us get used to loneliness. That being the case, there's no reason to complain. And besides who would be complaint to anyway? (A Walk To Kobe, Granta 124: Travel) By Haruki Murakami Thing Older Person Lonelier Granta

It's unfair."As a rule, life is unfair," I said.Yeah, but I think I did say some awful things."To Dick?"Yeah."I pulled the car over to the shoulder of the road and turned off the ignition. "That's just stupid, that kind of thinking," I said, nailing her with my eyes. "Instead of regretting what you did, you could have treated him decently from the beginning. You could've tried to be fair. But you didn't. You don't even have the right to be sorry. By Haruki Murakami Yeah Dick Unfair Rule Life

No mistake about it. Ice is cold; roses are red; I'm in love. And this love is about to carry me off somewhere. The current's too overpowering; I don't have any choice. It may very well be a special place, some place I've never seen before. Danger may be lurking there, something that may end up wounding me deeply, fatally. I might end up losing everything. But there's no turning back. I can only go with the flow. Even if it means I'll be burned up, gone forever. By Haruki Murakami Mistake Love End Place Ice

Here I was, seeing you almost every week, and talking with you, and knowing that the only one in your heart was Kizuki. It hurt. It really hurt. And I think that's why I slept with girls I didn't know. By Haruki Murakami Kizuki Week Hurt Talking Knowing

A gentleman is someone who does not what he wants to do, but what he should do. By Haruki Murakami Gentleman

Is it possible to become friends with a butterfly?""It is if you first become a part of nature. You suppress your presence as a human being, stay very still, and convince yourself that you are a tree or grass or a flower. It takes time, but once the butterfly lets its guard down, you can become friends quite naturally." ... " ... I come here every day, say hello to the butterflies, and talk about things with them. When the time comes, though, they just quietly go off and disappear. I'm sure it means they've died, but I can never find their bodies. They don't leave any trace behind. It's like they've been absorbed by the air. They're dainty little creatures that hardly exist at all: they come out of nowhere, search quietly for a few, limited things, and disappear into nothingness again, perhaps to some other world. By Haruki Murakami Nature Friends Part Butterfly Time

He wasn't normally conscious of it, but there was one part of his body that was extremely sensitive, somewhere along his back. This soft, subtle spot he couldn't reach was usually covered by something, so that it was invisible to the naked eye. But when, for whatever reason, that spot became exposed and someone's finger pressed down on it, something inside him would stir. A special substance would be secreted, swiftly carried by his bloodstream to every corner of his body. That special stimulus was both a physical sensation and a mental one, creating vivid images in his mind. The first time he met Sara, he felt an anonymous finger reach out and push down forcefully on that trigger on his back. By Haruki Murakami Sensitive Back Conscious Part Extremely

I tell you, Mr. Okada, a cold beer at the end of the day is the best thing life has to offer. Some choosy people say that a too cold beer doesn't taste good, but I couldn't disagree more. The first beer should be so cold you can't even taste it. The second one should be a little less chilled, but I want that first one to be like ice. I want it to be so cold my temples throb with pain. This is my own personal preference of course. By Haruki Murakami Okada Cold Beer Offer End

Come to think of it, she seemed awfully sure about those ten minutes: it was the first thing out of her mouth. As if nine minutes would be too short or eleven minutes too long. Like cooking spaghetti al dente. By Haruki Murakami Minutes Mouth Ten Thing Long

This is one more piece of advice I have for you: don't get impatient. Even if things are so tangled up you can't do anything, don't get desperate or blow a fuse and start yanking on one particular thread before it's ready to come undone. You have to realize it's going to be along process and that you'll work on things slowly, one at a time. By Haruki Murakami Impatient Piece Advice Things Undone

I wonder how it turns out that we all lead such different lives. Take you and your sister, for example. You're born to the same parents, you grow up in the same household, you're both girls. How do you end up with such wildly different personalities? ... One puts on a bikini like little semaphore flags and lies by the pool looking sexy, and the other puts on her school bathing suit and swims her heart out like a dolphin ... By Haruki Murakami Lives Turns Lead Puts Sister

Tengo chopped a lot of ginger to a fine consistency. Then he sliced some celery and mushrooms into nice-sized pieces. The Chinese parsley, too, he chopped up finely. He peeled the shrimp and washed them at the sink. Spreading a paper towel, he laid the shrimp out in neat rows, like troops in formation. When the edamame were finished boiling, he drained them in a colander and left them to cool. Next he warmed a large frying pan and dribbled in some sesame oil and spread it over the bottom. He slowly fried the chopped ginger over a low flame. By Haruki Murakami Tengo Consistency Chopped Lot Fine

It's just that the chaos has changed shape. The giraffe and the bear have traded hats, and the bear's switched scarves with the zebra. By Haruki Murakami Shape Chaos Changed Bear Hats

Things like that happen all the time in this great big world of ours. It's like taking a boat out on a beautiful lake on a beautiful day and thinking both the sky and the lake are beautiful. So stop eating yourself up alive. Things will go where they're supposed to go if you just let them take their natural course. By Haruki Murakami Beautiful Things Happen Time Great

Presently, I sense within me the slightest touch. The harmony of one chord lingers in my mind. It fuses, divides, searchesbut for what? I open my eyes, position the fingers of my right hand on the buttons, and play out a series of permutations.After a time, I am able, as if by will, to locate the first four notes. They drift down from inward skies, softly, as early morning sunlight. They find me; these are the notes I have been seeking.I hold down the chord key and press the individual notes over and over again. The four notes seem to desire further notes, another chord. I strain to hear the chord that follows. The first four notes lead me to the next five, then to another chord and three more notes.It is a melody. Not a complete song, but the first phrase of one. I play the three chords and twelve notes, also, over and over again. It is a song, I realize, I know. By Haruki Murakami Notes Chord Presently Touch Sense

Anyhow, be happy. I get the feeling a lot of shit is going to come your way, but you're a stubborn son of a bitch, I'm sure you'll handle it. Mind if I give you one piece of advice?" "Sure, go ahead." "Don't feel sorry for yourself," he said. "Only assholes do that. By Haruki Murakami Happy Bitch Mind Advice Feeling

Oshima once used the term hollow men. Well, that's exactly what I've become. There's a void inside me, a blank that's slowly expanding, devouring what's left of who I am. I can hear it happening. I'm totally lost, my identity dying. There's no direction where I am, no sky, no ground. By Haruki Murakami Oshima Men Term Hollow Expanding

I felt guilty that I hadn't thought of Kizuki right away, as if I had somehow abandoned him. Back in my room, though, I came to think of it this way: two and a half years have gone by since it happened, and Kizuki is still seventeen years old. Not that this means my memory of him has faded. The things that his death gave rise to are still there, bright and clear, inside me, some of them even clearer than when they were new. What I want to say is this: I'm going to turn twenty soon. Part of what Kizuki and I shared when we were sixteen and seventeen has already vanished, and no amount of crying is going to bring that back. I can't explain it any better than this, but I think that you can probably understand what I felt and what I am trying to say. By Haruki Murakami Kizuki Guilty Thought Abandoned Years

If I do tell you the story, the two of us will always share it. And I don't know if that's the right thing to do. if I lift open the lid now, you'll be implicated. Is that what you want? You really want to know something I've sacrificed so much trying to forget? By Haruki Murakami Story Share Implicated Thing Lift

I'm scared, Eri. If I do something wrong, or say something wrong, I'm scared it will wreck everything and our relationship will vanish forever." Eri slowly shook her head. "It's no different from building stations. If something is important enough, a little mistake isn't going to ruin it all, or make it vanish. It might not be perfect, but the first step is actually building the station. Right? Otherwise trains won't stop there. And you can't meet the person who means so much to you. If you find some defect, you can adjust it later, as needed. First things first. Build the station. A special station just for her. The kind of station where trains want to stop, even if they have no reason to do so. Imagine that kind of station, and give it actual color and shape. Write your name on the foundation with a nail, and breathe life into it. I know you have the power to do that. Don't forget - you're the one who swam across the freezing sea at night. By Haruki Murakami Eri Station Scared Wrong Vanish

She picked up the ballpoint pen lying on the table, and played with it for a few seconds, but then she looked at the clock again. It had done its job: in the five minutes since her last look, it had advanced five minutes' worth. By Haruki Murakami Table Picked Ballpoint Pen Lying

I feel very strongly that all Japanese at that time had the idea drilled into them of 1999 being the end of the world. Aum renunciates have already accepted, inside themselves, the end of the world, because when they become a renunciate, they discard themselves totally, thereby abandoning the world. In other words, Aum is a collection of people who have accepted the end. People who continue to hold out hope for the near future still have an attachment to the world. If you have attachments, you will not discard your Self, but for Renunciates it's as if they've leaped right off the cliff. And taking a giant leap like that feels good. They lose something - but gain something in return. By Haruki Murakami World Japanese End Aum Renunciates

Some things in life are just to complicated to explain in any language.'Olga was absolutely right, Tsukuru thought as he sipped his wine. Not just to explain to others, but to explain to yourself. Force yourself to try to explain it, and you create lies. By Haruki Murakami Explain Olga Tsukuru Language Wine

Well, look. You're the kid sister, but you always had a good, clear image of what you wanted for yourself. You were able to say no when you had to, and you did things at your own pace. But Eri Asai couldn't do that. From the time she was a little girl, her job was to play her assigned role and satisfy the people around her. She worked hard to be a perfect little Snow White - if I can borrow your name for her. It's true that everybody made a big fuss over her, but I'll bet that was really tough for her sometimes. At one of the most crucial points in her life, she didn't have a chance to establish a firm self. If 'complex' is too strong a word, let's just say she probably envied you."Excerpt From: Haruki Murakami. "After Dark." iBooks. By Haruki Murakami Sister Good Clear Eri Asai

Needless to say, the manufacture of elephants is no easy matter. By Haruki Murakami Needless Matter Manufacture Elephants Easy

The whole world is a farce, needless to say. Who can escape that? By Haruki Murakami Farce Needless World Escape

She waited for the train to pass. Then she said, I sometimes think that people's hearts are like deep wells. Nobody knows what's at the bottom. All you can do is imagine by what comes floating to the surface every once in a while. By Haruki Murakami Pass Waited Train Bottom People

Fuka-Eri started to offer an opinion on the matter but then had second thoughts and stopped. Her opinion, unvoiced, snack back into the place it had originated from - a deep, dark, unknown place. By Haruki Murakami Fukaeri Stopped Unvoiced Dark Opinion

Memory is a funny thing. When I was in the scene, I hardly paid it any mind. I never stopped to think of it as something that would make a lasting impression, certainly never imagined that eighteen years later I would recall it in such detail. I didn't give a damn about the scenery that day. I was thinking about myself. I was thinking about the beautiful girl walking next to me. I was thinking about the two of us together, and then about myself again. It was the age, that time of life when every sight, every feeling, every thought came back, like a boomerang, to me. And worse, I was in love. Love with complications. The scenery was the last thing on my mind. By Haruki Murakami Thinking Memory Funny Mind Scenery

The "world" - the word always makes me think of a tortoise and elephants tirelessly supporting a gigantic disc. The elephants have no knowledge of the tortoise's role, the tortoise unable to see what the elephants are doing. And neither is the least aware of the world on their backs. By Haruki Murakami Tortoise Elephants Disc Word Makes

While I was swimming in the pool the other day, I was thinking about all kinds of things. About you, about Helsinki. I'm not sure how to put it, maybe like swimming upstream, back to my gut feelings." "While you were swimming?" "I can think well when I'm swimming." Sara paused for a time, as if impressed. "Like a salmon." "I don't know much about salmon." "Salmon travel a long way. Driven by something," Sara said. "Did you ever see Star Wars?" "When I was a kid." "May the force be with you," she said. "So you don't lose out to the salmon. By Haruki Murakami Swimming Salmon Day Things Helsinki

You can't look too far ahead. Do that and you'll lose sight of what you're doing and stumble. I'm not saying you should focus solely on the details right in front of you, mind you. You've got to look ahead a bit or else you'll bump into something. You've got to conform to the proper order and at the same time keep an eye out for what's ahead. That's critical, no matter what you're doing. By Haruki Murakami Ahead Stumble Lose Sight Mind

It's no different from building stations. If something is important enough, a little mistake isn't going to ruin it all, or make it vanish. It might not be perfect, but the first step is actually building the station. Right? Otherwise trains won't stop there. And you can't meet the person who means so much to you. If you find some defect, you can adjust it later, as needed. First things first. Build the station. A special station just for her. The kind of station where trains want to stop, even if they have no reason to do so. Imagine that kind of station, and give it actual color and shape. Write your name on the foundation with a nail, and breathe life into it. By Haruki Murakami Station Building Kind Trains Stop

Tell me I can relax now because I've done enough to last a lifetime. By Haruki Murakami Lifetime Relax

Maybe time is nothing at all like a straight line. Perhaps it's shaped like a twisted doughnut. But for tens of thousands of years, people have probably been seeing time as a straight line that continues on forever. And that's the concept they based their actions on. And until now they haven't found anything inconvenient or contradictory about it. So as an experiential model, it's probably correct. By Haruki Murakami Straight Line Time Doughnut Years

I'm not totally uncompetitive. It's just that for some reason I never cared all that much whether I beat others or lost to them. This sentiment remained pretty much unchanged after I grew up. It doesn't matter what field you're talking about beating somebody else just doesn't do it for me. I'm much more interested in whether I reach the goals that I set for myself, so in this sense long-distance running is the perfect fit for a mindset like mine. By Haruki Murakami Uncompetitive Totally Reason Cared Beat

There's something about those secrets that only the deceased person can rightly understand. Something that can't be explained, no matter how hard you try. They're what the dead person has to take with him to his grave. Like a valuable piece of luggage. By Haruki Murakami Understand Secrets Deceased Rightly Person

Aomame gave him a perfunctory smile. I don't give a shit about your business, mister, she thought, I just happen to like the shape of your head. By Haruki Murakami Aomame Smile Mister Gave Perfunctory

She went on to Seishin University, the famous women's private college, and studied abroad in France for two years. A couple of years after she got back I had a chance to see her, and when I did, I was floored. I'm not sure how to put it, but she seemed faded. Like something that's been exposed to strong sunlight for a long time and the color fades. She looked much the same as before. Still beautiful, still with a nice figure ... but she seemed paler, fainter than before. It made me feel like I should grab the TV remote to ramp up the color intensity. It was a weird experience. It was hard to imagine that someone could, in the space of just a few years, visibly diminish like that. By Haruki Murakami University Seishin France Years College

Lost opportunities, lost possibilities, feelings we can never get back. That's part of what it means to be alive. But inside our heads - at least that's where I imagine it - there's a little room where we store those memories. A room like the stacks in this library. And to understand the workings of our own heart we have to keep on making new reference cards. We have to dust things off every once in awhile, let in fresh air, change the water in the flower vases. In other words, you'll live forever in your own private library. By Haruki Murakami Lost Opportunities Possibilities Feelings Back

As he watched his father, Tengo started to have doubts about the difference between a person being alive and being dead. Maybe there really wasn't much of a difference to begin with, he though, maybe we just decided, for convenience's sake, to insist on a difference. By Haruki Murakami Tengo Difference Father Dead Watched

Most of what I know about writing I've learned through running every day. These are practical, physical lessons. How much can I push myself? How much rest is appropriate - and how much is too much? How far can I take something and still keep it decent and consistent? When does it become narrow-minded and inflexible? How much should I be aware of the world outside, and how much should I focus on my inner world? To what extent should I be confident in my abilities, and when should I start doubting myself? I know that if I hadn't become a long-distance runner when I became a novelist, my work would have been vastly different. How different? Hard to say. But something would have definitely been different. By Haruki Murakami Day Writing Learned Running World

The world in books seemed so much more alive to me than anything outside. I could see things I'd never seen before. Books and music were my best friends. I had a couple of good friends at school, but never met anyone I could really speak my heart to. We'd just make small talk, play soccer together. When something bothered me, I didn't talk with anyone about it. I thought it over all by myself, came to a conclusion, and took action alone. Not that I really felt lonely. I thought that's just the way things are. Human beings, in the final analysis, have to survive on their own. By Haruki Murakami World Alive Books Friends Things

At a certain point in our lives, when we really need a clear-cut solution, the person who knocks at our door is, more likely than not, a messenger bearing bad news. This isn't always the case, but from experience I'd say the gloomy reports far outnumber the others. The messenger touches his hand to his cap and looks apologetic, but that does nothing to improve the contents of the message. It isn't the messenger's fault. No good to blame him, no good to grab him by the collar and shake him. The messenger is just conscientiously doing the job his boss assigned him. And this boss? That would be none other than our old friend Reality. By Haruki Murakami Messenger Lives Solution Point Clearcut

Because I have no sense of self. I have no personality, no brilliant color. I have nothing to offer. That's always been my problem. I feel like an empty vessel. I have a shape, I guess, as a container, but there's nothing inside. I just can't see myself as the right person for her. I think that the more time passes, and the more she knows about me, the more disappointed Sara will be, and the more she'll choose to distance herself from me. By Haruki Murakami Sense Personality Color Brilliant Offer

No matter where I find myself, this is the time of day I love best. The time that's mine alone. It'll be dawn soon, and I'm sitting here writing. Like Buddha, born from his mother's side (the right or the left, I can't recall), the new sun will lumber up and peek over the edge of the hills. By Haruki Murakami Time Matter Find Day Love

I guess I've been waiting so long I'm looking for perfection. That makes it tough.""Waiting for perfect love?""No, even I know better than that. I'm looking for selfishness. Like, say I tell you I want to eat strawberry shortcake. And you stop everything you're doing and run out and buy it for me. And you come back out of breath and get down on your knees and hold this strawberry shortcake out to me. And I say I don't want it anymore and throw it out the window. That's what I'm looking for. By Haruki Murakami Waiting Perfection Guess Long Strawberry

Music brings a warm glow to my vision, thawing mind and muscle from their endless wintering. By Haruki Murakami Music Vision Thawing Wintering Brings

You tell me there is no fighting or hatred or desire in the Town. That is a beautiful dream, and I do want your happiness. But the absence of fighting or hatred or desire also means the opposites do not exist either. No joy, no communion, no love. Only where there is disillusionment and depression and sorrow does happiness arise; without despair or loss, there is no hope. By Haruki Murakami Town Hatred Fighting Desire Happiness

Our city, these streets, I don't know why it makes me so depressed. That old familiar gloom that befalls the city dweller, regular as due dates, cloudy as mental Jell-O. The dirty facades, the nameless crowds, the unremitting noise, the packed rush-hour trains, the gray skies, the billboards on every square centimeter of available space, the hopes and resignation, irritation and excitement. And everywhere, infinite options, infinite possibilities. An infinity, and at the same time, zero. We try to scoop it all up in our hands, and what we get is a handful of zero. By Haruki Murakami City Streets Depressed Makes Infinite

Can you believe it? Here's a 15-year-old girl pinching pennies to buy strainers and whetstones and tempura pots when all the girls in school are getting huge allowances and buying beautiful dresses and shoes. Don't you feel sorry for me? By Haruki Murakami Shoes Pinching Pennies Buy Strainers

I want to believe you, but if that's true, I just don't get it. Why does loving somebody mean you have to hurt them just as much? I mean, if that's the way it goes, what's the point of loving someone? By Haruki Murakami True Loving Hurt Point

Why does loving somebody mean you have to hurt them just as much? I mean if that's the way it goes, what's the point of loving someone? Why the hell does it have to be like that? By Haruki Murakami Loving Hurt Point Hell

This was ambiguity: holding on to an empty space between two extremes. "You were hurt, a little, weren't you?" his wife had asked. "I'm human, after all. I was hurt," he'd replied. But that wasn't true. Half of it, at least, was a lie. I wasn't hurt enough when I should have been, Kino admitted to himself. When I should have felt real pain, I stifled it. I didn't want to take it on, so I avoided facing up to it. Which is why my heart is so empty now. The snakes have grabbed that spot and are trying to hide their coldly beating hearts there. By Haruki Murakami Ambiguity Holding Extremes Hurt Space

Instead of things I'm good at, it might be faster to list the things I can't do. I can't cook or clean the house. My room's a mess, and I'm always losing things. I love music, but I can't sing a note. I'm clumsy and can barely sew a stitch. My sense of direction is the pits, and I can't tell left from right half the time. When I get angry, I tend to break things. Plates and pencils, alarm clocks. Later on I regret it, but at the time I can't help myself. I have no money in the bank. I'm bashful for no reason, and I have hardly any friends to speak of. By Haruki Murakami Things Good Faster List Time

Ever since time began (when was that, I wonder?), it's been moving ever forward without a moment's rest. And one of the privileges given to those who've avoided dying young is the blessedright to grow old. By Haruki Murakami Began Rest Time Moving Forward

Just as I have my own role to play, so does time. And time does its job much more faithfully, much more accurately, than I ever do. Ever since time began (when was that, I wonder?), it's been moving ever forward without a moment's rest. And one of the privileges given to those who've avoided dying young is the blessed right to grow old. The honour of physical decline is waiting, and you have to get used to that reality. By Haruki Murakami Time Play Role Faithfully Accurately

What did you expect? Tsukuru asked himself. A basically empty vessel has become empty once again. Who can you complain to about that? People come to him, discover how empty he is, and leave. What's left is an empty, perhaps even emptier, Tsukuru Tazaki, all alone. Isn't that all there is to it? By Haruki Murakami Empty Tsukuru Expect Tazaki Asked

The world's crawling with stupid,innocent girls, and I'm just one of them, self-consciouslychasing after dreams that'll never come true. I should shut thepiano lid and come down off the stage. Before it's too late. By Haruki Murakami Girls Selfconsciouslychasing True World Crawling

For instance, supposing that the planet earth were not a sphere but a gigantic coffee table,how much difference in everyday life would that make? Granted, this is a prettyfarfetched example; you can't rearrange facts of life so freely. Still, picturing the planetearth, for convenience sake, as a gigantic coffee table does in fact help clear away theclutter - those practically pointless contingencies such as gravity and the internationaldateline and the equator, those nagging details that arise from the spherical view. I mean,for a guy leading a perfectly ordinary existence, how many times in the course of alifetime would the equator be a significant factor? By Haruki Murakami Gigantic Life Instance Supposing Make

I'm just ordinary guy, ordinary family, ordinary education, ordinary face, ordinary exam results, ordinary thought in my head By Haruki Murakami Ordinary Guy Family Education Face

Aomame knew that he worked for a corporation connected with oil. He was a specialist on capital investment in a number of Middle Eastern countries. According to the information she had been given, he was one of the more capable men in the field. She could see it in the way he carried himself. He came from a good family, earned a sizable income, and drove a new Jaguar. After a pampered childhood, he had gone to study abroad, spoke good English and French, and exuded self-confidence. He was the type who could not bear to be told what to do, or to be criticized, especially if the criticism came from a woman. He had no difficulty bossing others around, though, and cracking a few of his wife's ribs with a golf club was no problem at all. As far as he was concerned, the world revolved around him, and without him the earth didn't move at all. He could become furious - violently angry - if anyone interfered with what he was doing or contradicted him in any way. By Haruki Murakami Aomame Oil Knew Worked Corporation

Still, there's something in this photo of the nineteen-year-old that the middle-aged woman I know has lost forever. You might call it an outpouring of energy. Nothing showy, it's colourless, transparent, like fresh water secretly seeping out between rocks - a kind of natural, unspoiled appeal that shoots straight to your heart. That brilliant energy seeps out of her entire being as she sits there at the piano. Just by looking at that happy smile, you can trace the beautiful path that a contented heart must follow. Like a firefly's glow that persists long after it's disappeared into the darkness. By Haruki Murakami Forever Photo Middleaged Woman Lost

People need to cling to something," Oshima says. "They have to. You're doing the same, even though you don't realise it. By Haruki Murakami Oshima People Cling Realise

Tengo had a gift for such work. He was a born technician, possessing both the intense concentration of a bird sailing through the air in search of prey and the patience of a donkey hauling water, playing always by the rules of the game. By Haruki Murakami Tengo Work Gift Technician Possessing

The photographer from the magazine, Masao Kageyama, would ride along in the van that accompanied me. He'd take pictures as they drove along. It wasn't a real race, and there weren't any water stations, so I'd occasionally stop to get water from the van. The Greek summer is truly brutal, and I knew I'd have to be careful not to get dehydrated. "Mr. Murakami," Mr. Kageyama said, surprised as he saw me getting ready to run, "you're not really thinking of running the whole route, are you?""Of course I am. That's why I came here.""Really? But when we do these kinds of projects most people don't go all the way. We just take some photos, and most of them don't finish the whole route. So you really are going to run theentire thing?"Sometimes the world baffles me. I can't believe that people would really do things like that. By Haruki Murakami Masao Kageyama Magazine Van Photographer

I'm tired of living in hatred and resentment. I'm tired of living unable to love anyone. I don't have a single friend - not one. And, worst of all, I can't even love myself. Why is that? Why can't I love myself? It's because I can't love anyone else. A person learns how to love himself through the simple acts of loving and being loved by someone else. Do you understand what I am saying? A person who is incapable of loving another cannot properly love himself. No, I'm not blaming you for this. Come to think of it, you may be such a victim. You probably don't know how to love yourself. Am I wrong about that? By Haruki Murakami Love Tired Living Resentment Hatred

I'm tired of living unable to love anyone. I don't have a single friend - not one. And, worst of all, I can't even love myself. Why is that? Why can't I love myself? It's because I can't love anyone else. A person learns how to love himself through the simple acts of loving and being loved by someone else. Do you understand what I am saying? A person who is incapable of loving another cannot properly love himself. By Haruki Murakami Love Tired Living Unable Person

Loving another person is a wonderful thing, and if that love is sincere, no one ends up tossed into a labyrinth. You have to have more faith in yourself. By Haruki Murakami Loving Thing Sincere Labyrinth Person

One by one, I'll face the tasks before me and complete them as best I can. Focusing on each stride forward, but at the same time taking a long-range view, scanning the scenery as far ahead as I can. I am, after all, a long distance runner.My time, the rank I attain, my outward appearance - all of these are secondary. For a runner like me, what's really important is reaching the goal I set myself, under my own power. I give it everything I have, endure what needs enduring, and am able, in my own way, to be satisfied. From out of the failures and joys I always try to come away having grasped a concrete lesson. (It's got to be concrete, no matter how small it is.) And I hope that, over time, as one race follows another, in the end I'll reach a place I'm content with. Or maybe just catch a glimpse of it. By Haruki Murakami Time Face Tasks Complete Concrete

The girl was rotten inside. Peel off a layer of that beautiful skin, and you'd find nothing but rotten flesh. By Haruki Murakami Inside Rotten Girl Peel Skin

She lived frugally, but her meals were the only things on which she deliberately spent her money. She never compromised on the quality of her groceries, and drank only good-quality wines. By Haruki Murakami Frugally Money Lived Meals Things

Just as a river flows to the sea, growing older and slowing down are just part of the natural scenery, and I've got to accept it. It might not be a very natural process and what I discover as a result might not be all that pleasant. But what choice do I have, anyway? In my own way, I've enjoyed my life so far, even if I can't say I've fully enjoyed it. By Haruki Murakami Sea Growing Scenery Natural River

So stop eating yourself up. Things will go where they're supposed to go if you just let them take their natural course. Despite your best efforts, people are going to be hurt when it's time for them to be hurt. Life is like that. I know I sound like I'm preaching from a pulpit, but it's about time you learned to live like this. You try too hard to make life fit your way of doing things.If you don't want to spend time in an insane asylum, you have to open up a little more and let yourself go with life's natural flow. By Haruki Murakami Time Life Stop Eating Hurt

Cops, Hoshino concluded, not for the first time in his life, are just gangsters who get paid by the state. By Haruki Murakami Cops Hoshino Concluded Life State

But no matter how strong a will a person has, no matter how much he may hate to lose, if it's an activity he doesn't really care for, he won't keep it up for long. Even if he did, it wouldn't be good for him. By Haruki Murakami Matter Lose Long Strong Person

Holding Naoko in my arms, I wanted to explain to her, I am having intercourse with you now. I am inside you. But this is really nothing. It doesn't matter. It is nothing but the joining of two bodies. All we are doing is telling each other things that can only be told by the rubbing together of two imperfect lumps of flesh. By doing this, we are sharing our imperfection. By Haruki Murakami Naoko Holding Arms Wanted Explain

I stayed in the town until earlyevening, and when the sun began to sink, my heart did too. This is your last chance to goback, I told myself. Once it gets completely dark, you might never be able to leave here. Iwent home on the same buses that had brought me there. I arrived before seven, and no onenoticed that I had run away. By Haruki Murakami Earlyevening Sink Stayed Town Sun

Whether it's good for anything or not, cool or totally uncool, in the final analysis what's most important is what you can't see but can feel in your heart. By Haruki Murakami Cool Uncool Heart Good Totally

Of course it hurt that we could never love each other in a physical way. We would have been far more happy if we had. But that was like the tides, the change of seasonssomething immutable, an immovable destiny we could never alter. No matter how cleverly we might shelter it, our delicate friendship wasn't going to last forever. We were bound to reach a dead end. That was painfully clear. By Haruki Murakami Hurt Love Physical Happy Tides

The term "spirit projection" sprang to mind. Are you familiar with it? Japanese folk tales are full of this sort of thing, where the soul temporarily leaves the body and goes off a great distance to take care of some vital task and then returns to reunite with the body. By Haruki Murakami Term Spirit Projection Sprang Mind

Most of these university types are total phonies. They're scared to death somebody's gonna find they don't know something. They all read the same books and they all throw around the same words, and they get off listening to John Coltrane and seeing Pasolini movies. You call that 'revolution'? That does it for me, then. I'm not going to believe in any damned revolution. Love is all I'm going to believe in. By Haruki Murakami Phonies University Types Total Revolution

No need to mince words. And you don't need to force yourself to like me. No one likes me now. It's only to be expected. I don't even like myself much. I used to have a few really good friends. You were one of them. But at a certain stage in life I lost them. Like how Shiro at a certain point lost that special spark. ... But you can't go back. Can't return an item you've already opened. You just have to make do. By Haruki Murakami Words Mince Lost Force Shiro

The way surviving hard winters makes a tree grows stronger, the growth rings inside it tighter By Haruki Murakami Stronger Tighter Surviving Hard Winters

It was a different sense of isolation from what he normally felt in Japan. And not such a bad feeling, he decided. Being alone in two senses of the word was maybe like a double negation of isolation. In other words, it made perfect sense for him, a foreigner, to feel isolated here. The thought calmed him. He was in exactly the right place. By Haruki Murakami Japan Isolation Felt Sense Feeling

For me, writing a novel is like having a dream. Writing a novel lets me intentionally dream while I'm still awake. I can continue yesterday's dream today, something you can't normally do in everyday life. By Haruki Murakami Writing Dream Awake Today Life

Writing a novel is like having a dream. By Haruki Murakami Writing Dream

I suddenly thought about my old girlfriend, the one I had first slept with in my third year of high school. Chills ran through me as I realized how badly I had treated her. I had hardly ever thought about her thoughts or feelings or the pain I had caused her. She was such a sweet and gentle thing, but at the time I had taken her sweetness for granted and later hardly gave her a second thought. What was she doing now? I wondered. And had she forgiven me? By Haruki Murakami Thought Girlfriend School Suddenly Slept

In that sense, this is not a standard book of interviews. Nor is it what you might call a book of 'celebrity conversations.' What I was searching for - with increasing clarity as the sessions progressed - was something akin to the heart's natural resonance. What I did my best to hear, of course, was that resonance coming from Ozawa's heart. After all, in our conversations I was the interviewer and he was the interviewee. But what I often heard at the same time was the resonance of my own heart. At times that resonance was something I recognized as having long been a part of me, and at other times it came as a complete surprise. In other words, through a kind of sympathetic vibration that occurred during all of these conversations, I may have been simultaneously discovering Seiji Ozawa and, bit by bit, Haruki Murakami. By Haruki Murakami Resonance Book Sense Interviews Heart

To tell the truth, I don't really understand the causes behind my runner's blues. Or why now it's beginning to fade. It's too early to explain it well. Maybe the only thing I can definitely say about it is this: That's life. Maybe the only thing we can do is accept it, without really knowing what's going on. Like taxes, the tide rising and falling, John Lennon's death, and miscalls by referees at the World Cup. By Haruki Murakami Truth Blues Understand Runner Thing

In other words, Shozaburo Takitani was now alone in the world. This was no great shock to him, however, nor did it make him feel particularly sad or miserable. He did, of course, experience some sense of absence, but he felt that, eventually, life had to turn out more or less like this. Everyone ended up alone sooner or later. By Haruki Murakami Shozaburo Takitani Words World Eventually

Lots of different people appear, and they all have their own situations and reasons and excuses, and each one is pursuing his or her own idea of justice or happiness. As a result, nobody can do anything. Obviously. I mean, it's basically impossible for everybody's justice to prevail or everybody's happiness to triumph, so chaos takes over. By Haruki Murakami Lots Excuses People Situations Reasons

I think you still love me, but we can't escape the fact that I'm not enough for you. I knew this was going to happen. So I'm not blaming you for falling in love with another woman. I'm not angry, either. I should be, but I'm not. I just feel pain. A lot of pain. I thought I could imagine how much this would hurt, but I was wrong. By Haruki Murakami Love Escape Fact Pain Happen

Reality is created out of confusion and contradiction, and if you exclude those elements, you're no longer talking about reality. You might think that by following language and a logic that appears consistent you're able to exclude that aspect of reality, but it will always be lying in wait for you, ready to take its revenge. By Haruki Murakami Reality Contradiction Elements Exclude Created

Duran Duran blared from the car stereo. The woman, two silver bracelets on the hand she dangled out the window, cast a glance in my direction. I could have been a Denny's restaurant sign or a traffic signal, it would have been no different. She was your regular sort of beautiful young woman, I guess. In a TV drama, she'd be the female lead's best friend, the face that appears once in a cafe scene to say, What's the matter? You haven't been yourself lately. By Haruki Murakami Duran Stereo Blared Car Woman

Have you heard of the illness hysteria siberiana? Try to imagine this: You're a farmer, living all alone on the Siberian tundra. Day after day you plow your fields. As far as the eye can see, nothing. To the north, the horizon, to the east, the horizon, to the south, to the west, more of the same. Every morning, when the sun rises in the east, you go out to work in your fields. When it's directly overhead, you take a break for lunch. When it sinks in the west, you go home to sleep. And then one day, something inside you dies. Day after day you watch the sun rise in the east, pass across the sky, then sink in the west, and something breaks inside you and dies. You toss your plow aside and, your head completely empty of thought, begin walking toward the west. Heading toward a land that lies west of the sun. Like someone, possessed, you walk on, day after day, not eating or drinking, until you collapse on the ground and die. That's hysteria siberiana. By Haruki Murakami Day West East Sun Heard

You concentrate on waiting for someone and after a certain time it hardly matters what happens anymore. It could be five years or ten years or one month. It's all the same. By Haruki Murakami Anymore Concentrate Waiting Time Matters

I wasn't able to be that person for you, and I did a terrible thing. I feel awful about it. But there was something wrong between us from the start, as if we'd done the buttons up wrong. By Haruki Murakami Thing Person Terrible Wrong Start

This was the second stage in my life, a step in my personal evolutionabandoning the idea of being different, and settling for normal ... Gradually I drew nearer to the world, and the world drew nearer to me. By Haruki Murakami Life Normal Nearer Stage Step

Sumire was a hopeless romantic, a bit set in her ways - innocent of the ways of the world, to put a nice spin on it. Start her talking and she'd go on nonstop, but if she was with someone she didn't get along with - most people in the world, in other words - she barely opened her mouth. She smoked too much, and you could count on her to lose her ticket every time she took the train. She'd get so engrossed in her thoughts at times she'd forget to eat, and she was as thin as one of those war orphans in an old Italian film - like a stick with eyes. I'd love to show you a photo of her but I don't have any. She hated having her photograph taken - no desire to leave behind for posterity a Portrait of the Artist as a Young (Wo)Man. By Haruki Murakami World Sumire Romantic Innocent Hopeless

The sad truth is that certain types of things can't go backward. Once they start going forward, no matter what you do, they can't go back the way they were. If even one little thing goes awry, then that's how it will stay forever. By Haruki Murakami Backward Sad Truth Types Forward

What I mean to say is probably something like this: any single human being, no matter what kind of person he or she may be, is all caught up in the tentacles of this animal like a giant octopus, and is getting sucked into the darkness. You can put any kind of spin on it you like, but you end up with the same unbearable spectacle. By Haruki Murakami Octopus Darkness Kind Single Human

I sat on a somewhat higher sand dune and watched the eastern sky. Dawn in Mongolia was an amazing thing. In one instant, the horizon became a faint line suspended in the darkness, and then the line was drawn upward, higher and higher. It was as if a giant hand had stretched down from the sky and slowly lifted the curtain of night from the face of the earth. It was a magnificent sight, far greater in scale, [ ... ] than anything that I, with my limited human faculties, could comprehend. As I sat and watched, the feeling overtook me that my very life was slowly dwindling into nothingness. There was no trace here of anything as insignificant as human undertakings. This same event had been occurring hundreds of millions - hundreds of billions - of times, from an age long before there had been anything resembling life on earth. By Haruki Murakami Higher Sand Dune Eastern Sky

Haven't you offered up some part of your Self to someone (or something), and taken on a "narrative" in return? Haven't we entrusted some part of our personality to some greater System or Order? And if so, has not that System at some stage demanded of us some kind of "insanity"? Is the narrative you now possess really and truly your own? Are your dreams really your own dreams? Might not they be someone else's visions that could sooner or later turn into nightmares? By Haruki Murakami Part System Return Offered Order

If there's any guy crazy enough to attack me, I'm going to show him the end of the world close up. I'm going to let him see the kingdom come with his own eyes. I'm going to send him straight to the southern hemisphere and let the ashes of death rain all over him and the kangaroos and the wallabies. By Haruki Murakami Guy Crazy Attack Show End

No truth can cure the sadness we feel from losing a loved one. No truth, no sincerity, no strength, no kindness, can cure that sorrow. All we can do is see that sadness through to the end andlearn something from it, but what we learn will be no help in facing the next sadness that comes to us without warning. By Haruki Murakami Truth Cure Sadness Feel Losing

No truth can cure the sorrow we feel from losing a loved one. No truth, no sincerity, no strength, no kindness can cure that sorrow. All we can do is see it through to the end and learn something from it, but what we learn will be no help in facing the next sorrow that comes to us without warning. By Haruki Murakami Sorrow Truth Cure Feel Losing

Creative business seminar. Basically a quick, impromptu brainwashing course to educate your typical corporate warriors. They use a training manual instead of sacred scriptures, with promotion and a high salary as their equivalent of enlightenment and paradise. A new religion for a pragmatic age. No transcendent elements like in a religion, though, and everything is theorized and digitalized. Very transparent and easy to grasp. And quite a few people get positive encouragement from this. But the fact remains that it's nothing more than an infusion of the hypnotic into a system of thought that suits their goal, a conglomeration of only those theories and statistics that line up with their ultimate objectives. By Haruki Murakami Creative Seminar Business Religion Basically

Somewhere, far, far away, there's a shitty island. An island without a name. An island not worth giving a name. A shitty island with a shitty shape. On this shitty island grow palm trees that also have shitty shapes. And the palm trees produce coconuts that give off a shitty smell. Shitty monkeys live in the trees, and they love to eat these shitty-smelling coconuts, after which they shit the world's foulest shit. The shit falls on the ground and builds up shitty mounds, making the shitty palm trees that grown on them even shittier. It's an endless cycle. By Haruki Murakami Shitty Island Trees Palm Shit

She was probably too cool, too self-possessed. Some of our classmates must have thought her cold and haughty. But I detected something else- something warm and fragile just below the surface. Something very much like a child playing hide-and-seek, hidden deep within her, yet hoping to be found. By Haruki Murakami Cool Selfpossessed Haughty Surface Classmates

My husband and I see each other only on weekends, and generally get along well. We're like good friends, life partners able to spend some pleasant time together. We talk about all sorts of things, and we trust each other implicitly. Where and how he has a sex life I don't know,and I don't really care. We never make love, though never even touch each other. I feel bad about it, but I don't want to touch him. I just don't want to. By Haruki Murakami Weekends Husband Generally Life Touch

The girl's parents had belonged to a religious organization called the Society of Witnesses. A Christian sect, the Witnesses preached the coming of the end of the world. They were fervent proselytizers and lived their lives by the Bible. They would not condone the transfusion of blood, for example. This greatly limited their chances of surviving serious injury in a traffic accident. Undergoing major surgery was virtually impossible for them. On the other hand, when the end of the world came, they could survive as God's chosen people and live a thousand years in a world of ultimate happiness. By Haruki Murakami Witnesses Society World Girl Parents

You know what I like best about porn cinemas?""I couldn't begin to guess.""Whenever a sex scene starts, you can hear this "Gulp!' sound when everybody swallows all at once," said Midori. "I love that "Gulp!' It's so sweet! By Haruki Murakami Gulp Cinemas Guess Starts Midori

The sad truth is that what I could recall in five seconds all too soon needed ten, then thirty, then a full minute - like shadows lengthening at dusk. Someday, I suppose, the shadows will be swallowed up in darkness. There is no way around it: my memory is growing ever more distant from the spot where Naoko used to stand - ever more distant from the spot where my old self used to stand. And nothing but scenery, that view of the meadow in October, returns again and again to me like a symbolic scene in a movie. Each time it appears, it delivers a kick to some part of my mind. "Wake up," it says. "I'm still here. Wake up and think about it. Think about why I'm still here." The kicking never hurts me. There's no pain at all. Just a hollow sound that echoes with each kick. And even that is bound to fade one day. By Haruki Murakami Ten Thirty Minute Dusk Shadows

I'm free, I think. I shut my eyes and think hard and deep about how free I am, but I can't really understand what it means. All I know is I'm totally alone. All alone in an unfamiliar place, like some solitary explorer who's lost his compass and his map. Is this what it means to be free? I don't know, and I give up thinking about it. By Haruki Murakami Free Shut Eyes Hard Deep

The task of writing consists primarily in recognizing the distance between oneself and the things around one. It is not sensitivity one needs, but a yardstick. By Haruki Murakami Task Writing Consists Primarily Recognizing

My sickness is a lot worse than you think: it has far deeper roots. And that's why I want you to go on ahead of me if you can. Don't wait for me. Sleep with other girls if you want to. Don't let thoughts of me hold you back. Just do what you want to do. Otherwise, I might end up taking you with me, and that is the one thing I don't want to do. I don't want to interfere with your life. I don't want to interfere with anybody's life. Like I said before, I want you to come to see me every once in a while, and always remember me. That's all I want. By Haruki Murakami Roots Sickness Lot Worse Deeper

And now I'm really, really, really tired and I want to fall asleep listening to someone tell me how much they like me and how pretty I am and stuff. That's all I want. And when I wake up, I'll be full of energy and I'll never make these kinds of selfish demands again. I swear. I'll be a good girl. By Haruki Murakami Stuff Tired Fall Asleep Listening

My eyes in the mirror are cold as a lizard's, my expression fixed and unreadable. I can't remember the last time I laughed or even showed a hint of a smile to other people. Even to myself.I'm not trying to imply I can keep up this silent, isolated facade all the time. Sometimes the wall I've erected around me comes crumbling down. It doesn't happen very often, but sometimes, before I even realize what's going on, there I am naked and defenseless and totally confused. At times like that I always feel an omen calling out to me, like a dark, omnipresent pool of water. By Haruki Murakami Lizard Unreadable Eyes Mirror Cold

I'm not trying to imply I can keep up this silent, isolated facade all the time.Sometimes the wall I've erected around me comes crumbling down. It doesn't happenvery often, but sometimes, before I even realize what's going on, there I am--naked anddefenseless and totally confused. At times like that I always feel an omen calling out tome, like a dark, omnipresent pool of water.~page 10 By Haruki Murakami Silent Isolated Imply Facade Timesometimes

Each individual has their own unique color, which shines faintly around the contours of their body. Like a halo. Or a backlight. I'm able to see those colors clearly. By Haruki Murakami Body Individual Unique Shines Faintly

People sometimes sneer at those who run every day, claiming they'll go to any length to live longer. But don't think that's the reason most people run. Most runners run not because they want to live longer, but because they want to live life to the fullest. If you're going to while away the years, it's far better to live them with clear goals and fully alive then in a fog, and I believe running helps you to do that. Exerting yourself to the fullest within your individual limits: that's the essence of running, and a metaphor for life - and for me, for writing as whole. I believe many runners would agree By Haruki Murakami Live Run Longer People Day

Just remember, life is a box of cookies. You know how they've got these cookie assortments, and you like some but you don't like others? And you eat up all the ones you like, and the only ones left are the ones you don't like so much? I always think about that when something painful comes up. 'Now i just have to polish these off, and everything'll be O.K.' Life is a box of cookies. By Haruki Murakami Remember Life Cookies Box Cookie

In ancient times people weren't simply male or female, but one of three types: male/male, male/female or female/female. In other words each person was made out of the components of two people. Everyone was happy with this arrangement and never really gave it much thought. But then God took a knife and cut everyone in half, right down the middle. So after that the world was divided just into male and female, the upshot being that people spend their time running around trying to locate their missing other half." "Why did God do that?" "Divide people into two? You've got me. God works in mysterious ways. There's that whole wrath-of-God thing, all that excessive idealism and so on. My guess is it was punishment for something. As in the Bible. Adam and Eve and the Fall and so on." "Original sin," I say. By Haruki Murakami Female Male People God Types

Despite being an amateur (or perhaps because of it), whenever I listen to music, I do so without preconceptions, simply opening my ears to the more wonderful passages and physically taking them in. When those wonderful passages are there, I feel joy, and when some parts are not so wonderful, I listen with a touch of regret. Beyond that, I might pause to think about what makes a certain passage wonderful or not so wonderful, but other musical elements are not that important to me. Basically, I believe that music exists to make people happy. In order to do so, those who make music use a wide range of techniques and methods which, in all their complexity, fascinate me in the simplest possible way. By Haruki Murakami Wonderful Listen Amateur Preconceptions Simply

According to Aristophanes in Plato's The Banquet, in the ancient world of legend there were three types of people.In ancient times people weren't simply male or female, but one of three types : male/male, male/female or female/female. In other words, each person was made out of the components of two people. Everyone was happy with this arrangment and never really gave it much thought. But then God took a knife and cut everyone in half, right down the middle. So after that the world was divided just into male and female, the upshot being that people spend their time running around trying to locate their missing half. By Haruki Murakami Banquet Aristophanes Plato Types Ancient

No matter how much long-distance running might suit me, of course there are days when I feel kind of lethargic and don't want to run. Actually, it happens a lot. On days like that, I try to think of all kinds of plausible excuses to slough it off. Once, I interviewed the Olympic running Toshihiko Seko, just after he retired from running and became manager of the S&B company team. I asked him, "Does a runner at your level ever feel like you'd rather not run today, like you don't want to run and would rather just sleep in?" He stared at me and then, in a voice that made it abundantly clear how stupid he thought the question was, replied, "Of course. All the time! By Haruki Murakami Run Running Matter Longdistance Suit

People die all the time. Life is a lot more fragile than we think. So you should treat others in a way that leaves no regrets. Fairly, and if possible, sincerely. It's too easy not to make the effort, then weep and wring your hands after the person dies. By Haruki Murakami People Time Life Fairly Sincerely

I mean, the ones on trial are not like me in any way: they're a different kind of human being. They live in a different world, they think different thoughts, and their actions are nothing like mine. Between the world they live in and the world I live in there's this thick, high wall. At least, that's how I saw it at first ... I became a lot less sure of myself. In other words, I started seeing it like this: that there really was no such thing as a wall separating their world from mine. Or if there was such a wall, it was probably a flimsy one made of papier-mache. The second I leaned on it, I'd probably fall right through and end up on the other side. Or maybe it's that the other side has already managed to sneak its way inside of us, and we just haven't noticed. By Haruki Murakami Live World Wall Trial Kind

After such prolonged frowning, it took her some moments to recall what her normal face even looked like, but after several attempts she was able to settle on a reasonable facsimile. By Haruki Murakami Frowning Facsimile Prolonged Moments Recall

I don't think you will ever be able to understand what it is like - the utter loneliness, the feeling of desperation - to be abandoned in a deep well in the middle of the desert at the edge of the world, overcome by intense pain in total darkness. I went so far as to regret that the Mongolian noncom had not simply shot me and got it over with. If I had been killed that way, at least they would have been aware of my death. If I died here, however, it would be truly a lonely death, a death of no concern to anyone, a silent death. By Haruki Murakami Death Loneliness Desperation World Overcome

Of course it was painful, and there were times when, emotionally, I just wanted to chuck it all. But pain seems to be a precondition for this kind of sport. If pain weren't involved, who in the world would ever go to the trouble of taking part in sports like the triathlon or the marathon, which demand such an investment of time and energy? It's precisely because of the pain, precisely because we want to overcome that pain, that we can get the feeling, through this process, of really being aliveor at least a partial sense of it. Your quality of experience is based not on standards such as time or ranking, but on finally awakening to an awareness of the fluidity within action itself. By Haruki Murakami Pain Emotionally Painful Wanted Chuck

I could feel her breasts up against my stomach. I wanted a beer real bad. By Haruki Murakami Stomach Feel Breasts Bad Wanted

By running longer it's like I can physically exhaust that portion of my discontent. It also makes me realize again how weak I am, how limited my abilities are. I become aware, physically, of these low points. And one of the results of running a little farther than usual is that I become that much stronger. If I'm angry, I direct that anger toward myself. If I have a frustrating experience, I use that to improve myself. That's the way I've always lived. I quietly absorb the things I'm able to, releasing them later, and in as changed a form as possible, as part of the story line in a novel. By Haruki Murakami Discontent Physically Longer Exhaust Portion

I'm not sure if I could tell the difference - between just staring into space and thinking. We're usually thinking all the time, aren't we? Not that we live in order to think, but the opposite isn't true either - that we think in order to live. I believe, contrary to Descartes, that we sometimes think in order not to be. Staring into space might unintentionally have the opposite effect. By Haruki Murakami Order Difference Thinking Staring Space

Lying there, I close my eyes for a time, then open them. I silently breathe in, then out. A thought begins to form in my mind, but in the end I think of nothing. Not that there was much difference between the two, thinking and not thinking. I find I can no longer distinguish between one thing and another, between things that existed and things that did not. I look out the window. Until the sky turns white, clouds float by, birds chirp, and a new day lumbers up, gathering together the sleepy minds of the people who inhabit this planet. By Haruki Murakami Lying Time Close Eyes Open

Narratives have the same power, I think. Some readers of my novels ask me, "Why do you understand me?". That's a huge pleasure of mine because it means that readers and I can make our narratives relative. By Haruki Murakami Power Narratives Readers Relative Understand

What the real world is: that is a very difficult problem,' the man called Leader said as he lay on his stomach. 'What it is, is a metaphysical proposition. But this is the real world. There is no doubt about that. The pain one feels in this world is real pain. Deaths caused in this world are real deaths. Blood shed in this world is real blood. This is no imitation world, no imaginary world, no metaphysical world. I guarantee you that. But this is not the 1984 that you know. By Haruki Murakami World Leader Real Problem Stomach

I always say - a prejudice on my part, I'm sure - you can tell a lot about a person's character from his choice of sofa. Sofas constitute a realm inviolate unto themselves.This, however, is something that only those who have grown up sitting on good sofas will appreciate. It's like growing up reading good books or listening to good music. One good sofa breeds another good sofa; one bad sofa breeds another bad sofa. That's how it goes.There are people who drive luxury cars, but have only second- or third-rate sofas in their homes. I put little trust in such people. An expensive automobile may well be worth its price, but it's only an expensive automobile. If you have the money, you can buy it, anyone can buy it. Procuring a good sofa, on the other hand, requires style and experience and philosophy. It takes money, yes, but you also need a vision of the superior sofa. That sofa among sofas. By Haruki Murakami Sofa Good Sofas Part Prejudice

Please do, however, allow me to deliver one very personal message. It is something that I always keep in mind while I am writing fiction. I have never gone so far as to write it on a piece of paper and paste it to the wall: Rather, it is carved into the wall of my mind, and it goes something like this:"Between a high, solid wall and an egg that breaks against it, I will always stand on the side of the egg."Yes, no matter how right the wall may be and how wrong the egg, I will stand with the egg. Someone else will have to decide what is right and what is wrong; perhaps time or history will decide. If there were a novelist who, for whatever reason, wrote works standing with the wall, of what value would such works be? By Haruki Murakami Wall Egg Message Deliver Personal

But from the first time I met Ame, I was drawn right into her. I couldn't resist her. And I knew it was happening. I knew it wasn't going to come my way again, not in this life. That's when I decided - if I go with her, there'll come a time that I'll regret it. But if I don't go with her, I'll be losing the key to my existence. Have you ever felt that way about something? By Haruki Murakami Ame Met Drawn Knew Time

Know what I did the other day?" Midori asked. "I got all naked in front of my father's picture. Took off every stitch of clothing and let him have a good, long look. Kind of in a yoga position. Like, 'Here, Daddy, these are my tits, and this is my cunt'.""Why in the hell would you do something like that?" I asked."I don't know, I just wanted to show him. I mean, half of me comes from his sperm, right? Why shouldn't I show him? 'Here's the daughter you made.' I was a little drunk at the time. I suppose that had something to do with it. By Haruki Murakami Day Show Daddy Midori Asked

It was the greatest stroke of good fortune he had ever encountered in life. In other words, he had finally worked his way up to the lowest spot on the totem pole. By Haruki Murakami Life Greatest Stroke Good Fortune

Reiko deepened the wrinkles at the corners of her eyes and looked at me for a time. "You've got this funny way of talking," she said. "Don't tell me you're trying to imitate that boy in Catcher in the Rye?" "No way!" I said with a smile. Reiko smiled too, cigarette in mouth. "You are a good person, though. I can tell that much from looking at you. I can tell these things after seven years of watching people come and go here: there are people who can open their hearts and people who can't. You're one of the ones who can. Or, more precisely, you can if you want to. By Haruki Murakami Time Deepened Wrinkles Corners Eyes

A question.So what are people supposed to do if they want to avoid a collision (thud!) but still lie in the field, enjoying the clouds drifting by, listening to the grass grow - not thinking, in other words? Sound hard? Not at all. Logically, it's easy. C'est simple. The answer is dreams. Dreaming on and on. Entering the world of dreams, and never coming out. Living in dreams for the rest of time.In dreams you don't need to make any distinctions between things. Not at all. Boundaries don't exist. So in dreams there are hardly any collisions. Even if there are, they don't hurt. Reality is different. Reality bites.Reality, reality. By Haruki Murakami Dreams Thud Field Enjoying Listening

I focused on that point of light for a long, long time. It made me think of something like the final throb of a soul's dying embers. By Haruki Murakami Long Time Focused Point Light

All he wanted from the girl was for her to hold his hand again if possible. He wanted her to squeeze his hand again someplace where the two of them could be alone. And he wanted her to tell him something - anything - about herself, to whisper some secret about what it meant to be Aomame, what it meant to be a ten-year-old girl. He would try hard to understand it, and that would be the beginning of something, though even now, Tengo still had no idea what that "something" might be. By Haruki Murakami Wanted Hand Hold Girl Meant

In the afternoon dark clouds suddenly color the sky a mysterious shade and it starts raining hard, pounding the roof and windows of the cabin. I strip naked and run outside, washing my face with soap and scrubbing myself all over. It feels wonderful. In my joy I shut my eyes and shout out meaningless words as the large raindrops strike me on the cheeks, the eyelids, chest, side, penis, legs, and butt - the stinging pain like a religious initiation or something. Along with the pain there's a feeling of closeness, like for once in my life the world's treating me fairly. I feel elated, as if all of a sudden I've been set free. I face the sky, hands held wide apart, open my mouth wide, and gulp down the falling rain. By Haruki Murakami Hard Pounding Cabin Afternoon Dark

You end up exhausted and spent, but later, in retrospect, you realize what it all was for. The parts fall into place, and you can see the whole picture and finally understand the role each individual part plays. The dawn comes, the sky grows light, and the colors and shapes of the roofs of houses, which you could only glimpse vaguely before, come into focus. By Haruki Murakami Spent Retrospect End Exhausted Realize

You know what I think?" she says. "That people's memories are maybe the fuel they burn to stay alive. Whether those memories have any actual importance or not, it doesn't matter as far as the maintenance of life is concerned. They're all just fuel. Advertising fillers in the newspaper, philosophy books, dirty pictures in a magazine, a bundle of ten-thousand-yen bills: when you feed 'em to the fire, they're all just paper. The fire isn't thinking 'Oh, this is Kant,' or 'Oh, this is the Yomiuri evening edition,' or 'Nice tits,' while it burns. To the fire, they're nothing but scraps of paper. It's the exact same thing. Important memories, not-so-important memories, totally useless memories: there's no distinctionthey're all just fuel. By Haruki Murakami Memories Fuel Fire Paper Kant

Like the sound of a velvet curtain being drawn aside on a peaceful morning to let sunlight wake someone very special to you. By Haruki Murakami Sound Velvet Curtain Drawn Peaceful

These days I just can't seem to say what I mean [ ... ]. I just can't. Every time I try to say something, it misses the point. Either that or I end up saying the opposite of what I mean. The more I try to get it right the more mixed up it gets. Sometimes I can't even remember what I was trying to say in the first place. It's like my body's split in two and one of me is chasing the other me around a big pillar. We're running circles around it. The other me has the right words, but I can never catch her. By Haruki Murakami Days Point Time Misses End

It doesn't matter what form she takes - a living spirit, an illusion - but you have to see her, have to have her beside you. Your brain is so full of her it's ready to burst, your body about to explode into pieces. Still, no matter how much you want her to be here, no matter how long you wait, she never appears. All you hear is the faint rustle of wind outside, birds softly cooing in the night. You hold your breath, staring off into the gloom. You listen to the wind, trying to read something into it, staring to catch a hint of what it might mean. But all that surrounds you are different shades of darkness. Finally, you give up, close your eyes, and fall asleep. By Haruki Murakami Matter Spirit Illusion Form Living

I don't know ... These days I just can't seem to say what I mean," she said. "I just can't. Every time I try to say something, it misses the point. Either that or I end up saying the opposite of what I mean. The more I try to get it right the more mixed up it gets. Sometimes I can't even remember what I was trying to say in the first place. It's like my body's split in two and one of me is chasing the other me around a big pillar. We're running circles around it. The other me has the right words, but I can never catch her." She By Haruki Murakami Days Point Time Misses End

To be able to talk to your heart's content about a book you like with someone who feels the same way about it is one of the greatest joys that life can offer. By Haruki Murakami Offer Talk Heart Content Book

Let me just tell you this, Watanabe," said Midori, pressing her cheek against my neck. "I'm a real, live girl, with real, live blood gushing through my veins. You're holding me in your arms and I'm telling you that I love you. I'm ready to do anything you tell me to do. I may be a little bit mad, but I'm a good girl, and honest, and I work hard, I'm kind of cute, I have nice boobs, I'm a good cook, and my father left me a trust fund. I mean, I'm a real bargain, don't you think? If you don't take me, I'll end up going somewhere else. By Haruki Murakami Watanabe Midori Real Live Pressing

Most people, they're trying to escape from boredom, but I'm trying to get into the thick of boredom. That's why I'm not complaining when I say my life is boring. It was enough to make my wife bail out, though. By Haruki Murakami Boredom People Escape Thick Boring

You're wrong. The mind is not like raindrops. It does not fall from the skies, it does not lose itself among other things. If you believe in me at all, then believe this: I promise you I will find it. Everything depends on this." "I believe you," she whispers after a moment. "Please find my mind. By Haruki Murakami Wrong Mind Find Raindrops Skies

The good thing about writing books is that you can dream while you are awake. If it's a real dream, you cannot control it. When writing the book, you are awake; you can choose the time, the length, everything. I write for four or five hours in the morning and when the time comes, I stop. I can continue the next day. If it's a real dream, you can't do that. By Haruki Murakami Dream Awake Writing Good Thing

I'm not pretending it's the real thing. We are living in a fake world; we are watching fake evening news. We are fighting a fake war. Our government is fake. But we find reality in this fake world. So our stories are the same; we are walking through fake scenes, but ourselves, as we walk through these scenes, are real. The situation is real, in the sense that it's a commitment, it's a true relationship. That's what I want to write about. By Haruki Murakami Fake Thing World Real Pretending

Even though I might go out on a date with a boy, emotionally I just wouldn't be able to concentrate. I'd be smiling and chatting away, and my mind would be floating around somewhere else, like a balloon with a broken string. I'd be thinking about one unrelated thing after another. I don't know, I guess finally I want to be alone a little while longer. And I want to let my thoughts wander freely. By Haruki Murakami Boy Emotionally Concentrate Date String

When I look back at myself at age twenty, what I remember most is being alone and lonely. I had no girlfriend to warm my body or my soul, no friends I could open up to. No clue what I should do every day, no vision for the future. For the most part, I remained hidden away, deep within myself. Sometimes, I'd go a week without talking to anybody. By Haruki Murakami Twenty Lonely Back Age Remember

Telling lies is a really terrible thing. These days, lies and silence are the two greatest sins in human society you might say. In reality, we tell lots of lies, and we often break into silence. However, if we were constant;y talking year-round, and telling only the truth truth would probably lose some of its value. By Haruki Murakami Thing Lies Terrible Telling Silence

Things can be seen better in the darkness," he said, as if he had just seen into her mind. "But the longer you spend in the dark, the harder it becomes to return to the world aboveground where the light is By Haruki Murakami Things Darkness Mind Dark Longer

I started to go to the library, devouring every book I could lay my hands on. Once I began a book, I couldn't put it down. It was like an addiction; I read while I ate, on the train, in bed until late at night in school, where I'd keep the book hidden so I could read during class By Haruki Murakami Book Library Devouring Started Lay

Once I began a book, I couldn't put it down. It was like an addiction; I read while I ate, on the train, in bed until late at night, in school, where I'd keep the book hidden so I could read during class. But I had almost no desire to talk with anyone about the experience I gained through books and music. I felt happy just being me and no one else. By Haruki Murakami Book Began Put Read Books

I felt like I was living at the bottom of a deep well completely shut up inside myself, cursing my fate, hating everything outside. Occasionally I ventured outside myself, putting on a good show of being alive. Accepting whatever came along, numbly slipping through life. I slept around a lot, at one point even living in a sort of marriage, but it was all pointless. Everything passed away in an instant, with nothing left behind except the scars of things I injured and despised. By Haruki Murakami Cursing Fate Hating Felt Bottom

he was coming while in the elementary school classroom, By Haruki Murakami Classroom Coming Elementary School

When I first met you, I felt a kind of contradiction in you. You're seeking something, but at the same time, you are running away for all you're worth. By Haruki Murakami Met Felt Kind Contradiction Time

Samsa looked down in dismay at his naked body. How ill-formed it was! Worse than ill-formed. It possessed no means of self-defense. Smooth white skin (covered by only a perfunctory amount of hair) with fragile blue blood vessels visible through it; a soft, unprotected belly; ludicrous, impossibly shaped genitals; gangly arms and legs (just two of each!); a scrawny, breakable neck; an enormous, misshapen head with a tangle of stiff hair on its crown; two absurd ears, jutting out like a pair of seashells. Was this thing really him? Could a body so preposterous, so easy to destroy (no shell for protection, no weapons for attack), survive in the world? By Haruki Murakami Samsa Looked Dismay Naked Illformed

I don't want our relationship to end like this. You're one of the very few friends I have, and it hurts not being able to see you. When am I going to be able to talk to you? I want you to tell me that much, at least. By Haruki Murakami Relationship End Friends Hurts Talk

And, well, mine are kind of on the heavy side anyway. The first day or two, I don't want to do ANYTHING. Make sure you keep away from me then.'I'd like to, but how can I tell?' I asked.O.K., I'll wear a hat for a couple of days after my period starts. A red one. That should work,' she said with a laugh. 'If you see me on the street and I'm wearing a red hat, don't talk to me, just run away. By Haruki Murakami Mine Kind Heavy Side Red

It had been a long time since I felt the fragrance of summer: the scent of the ocean, a distant train whistle, the touch of a girl's skin, the lemony perfume of her hair, the evening wind, faint glimmers of hope, summer dreams.But none of these were the way they once had been; they were all somehow off, as if copied with tracing paper that kept slipping out of place."-from "Hear the Wind Sing By Haruki Murakami Wind Summer Hear Sing Ocean

Perhaps most people in the world aren't trying to be free, Kafka. They just think they are. It's all an illusion. If they really were set free, most people would be in a real pickle. You'd better remember that. People actually prefer not being free? By Haruki Murakami Kafka Free People World Illusion

Since you've come all the way over here to tell me, I have a distinct feeling it doesn't matter if I do or not. Anyway, go right ahead. Add a prelude, if you'd like. And a 'Dance of the Blessed Spirits.' I don't mind. By Haruki Murakami Distinct Feeling Matter Dance Spirits

A life without pain: it was the very thing I had dreamed of for years, but now that I had it, I couldn't find a place for myself within it. A clear gap separated me from it, and this caused me great confusion. I felt as if I were not anchored to this world - this world that I had hated so passionately until then; this world that I had continued to revile for its unfairness and injustice; this world where at least I knew who I was. Now the world ceased to be the world, and I had ceased to be me. By Haruki Murakami World Pain Years Life Thing

After a certain length of time has passed, things harden up. Like a cement hardening in a bucket. And we can't go back anymore By Haruki Murakami Passed Things Length Time Harden

On any given day, something claims our attention. Anything at all, inconsequential things. A rosebud, a misplaced hat, that sweater we liked as a child, an old Gene Pitney record. A parade of trivia with no place to go. Things that bump around in our consciousness for two or three days then go back to wherever they came from ... to darkness. We've got all these wells dug in our hearts. While above the wells, birds flit back and forth. By Haruki Murakami Attention Claims Things Gene Pitney

The whiff of ocean on the southern breeze and the smell of burning asphalt brought back memories of summers past. It had seemed as though those sweet dreams of summer would last forever: the warmth of a girl's skin, an old rock 'n' roll song, freshly washed button-down shirt, the odor of cigarette smoke in a pool changing room, a fleeting premonition. Then one summer (when had it been?) the dreams had vanished, never to return. By Haruki Murakami Past Summer Whiff Ocean Southern

Anyhow, even though I might go out on a date with a boy, emotionally I just wouldn't be able to concentrate. I'd be smiling and chatting away, and my mind would be floating around somewhere else, like a balloon with a broken string. I'd be thinking about one unrelated thing after another. I don't know, I guess finally I want to be alone a little while longer. And I want to let my thoughts wander freely. In that sense, I guess, I'm probably still on the road to recovery. By Haruki Murakami Boy Emotionally Concentrate Date Guess

Heart and mind at the bottom of the sea. By Haruki Murakami Heart Sea Mind Bottom

This time sleep came to take me - a deep sleep that all but pulled me by the ankles to the bottom of the sea. By Haruki Murakami Sleep Sea Time Deep Pulled

Myemotional compass had vanished. I lost all sense ofdirection, of time, of the sense of who I was. I don't knowwhen it began, or when it ended, but before I knew it I waslocked away, alone and numb in the endless winter of thatworld of ice. By Haruki Murakami Myemotional Vanished Compass Sense Ofdirection

I have no physical symptoms, but psychologically there's this burden. I've got to get rid of it somehow. Of course, when I first went back to work I was scared the same thing might happen again. It takes positive thinking to overcome fear, otherwise you'll carry around this victim mentality forever. By Haruki Murakami Symptoms Burden Physical Psychologically Rid

The thing I'm most afraid of is me. Of not knowing what I'm going to do. Of not knowing what I'm doing right now By Haruki Murakami Knowing Thing Afraid

Where and how did my relationship with Kumiko go wrong? That's what I can't understand. Not that I'm saying everything was perfect until that point. A man and a woman in their twenties, with two distinct personalities, just happen to meet somewhere and start living together. There's not a married couple anywhere without their problems. But I thought we were doing OK, basically, that any little problems would solve themselves over time. But I was wrong. I was missing something big, making some kind of mistake on a really basic level, I suppose. By Haruki Murakami Kumiko Relationship Wrong Problems Understand

I'm not good at talking," Naoko said. "Haven't been for the longest while. I start to say something and the wrong words come out. Wrong or sometimes completely backward. I try to go back and correct it, but things get even more complicated and confused, so that I don't even remember what I started to say in the first place. Like I was split into two or something, one half chasing the other. And there's this big pillar in the middle and they go chasing each other around and around it. The other me always latches onto the right word and this me absolutely never catches up By Haruki Murakami Naoko Talking Good Wrong Chasing

Tell me how you could say such a thing, she said, staring down at the ground beneath her feet. You're not telling me anything I don't know already. 'Relax your body, and the rest of you will lighten up.' What's the point of saying that to me? If I relaxed my body now, I'd fall apart. I've always lived like this, and it's the only way I know how to go on living. If I relaxed for a second, I'd never find my way back. I'd go to pieces, and the pieces would be blown away. Why can't you see that? How can you talk about watching over me if you can't see that? By Haruki Murakami Thing Staring Feet Ground Beneath

Writers have to keep on writing if they want to mature, like caterpillars endlessly chewing on leaves. By Haruki Murakami Writers Mature Leaves Writing Caterpillars

One uproar after another, every day. Like the whole world's turned upside down. Don't you feel bad that you're missing out? The world isn't that easily turned upside down, Haida replied. It's people who are turned upside down. I don't feel bad about missing that. By Haruki Murakami Upside Turned Day Uproar Feel

Until Edison invented the electric light, most of the world was totally covered in darkness. The physical darkness outside and the inner darkness of the soul were mixed together, with no boundary separating the two. By Haruki Murakami Edison Darkness Light Invented Electric

Kumiko and I felt something for each other from the beginning. It was not one of those strong, impulsive feelings that can hit two people like an electric shock when they first meet, but something quieter and gentler, like two tiny lights traveling in tandem through a vast darkness and drawing imperceptibly closer to each other as they go. As our meetings grew more frequent, I felt not so much that I had met someone new as that I had chanced upon a dear old friend. By Haruki Murakami Kumiko Beginning Felt Strong Impulsive

After the small woman had left, Ushikawa stared at the door for the longest time. She had shut the door behind her, but there was still a strong sense of her in the room. Maybe in exchange for leaving a trace of herself behind, she had taken away a part of Ushikawa's soul. He could feel that new void within his chest. Why did this happen? he wondered, finding it odd. And what could it possibly mean? By Haruki Murakami Ushikawa Door Left Time Small

Maybe I am fated to always be alone, Tsukuru found himself thinking. People came to him, but in the end they always left. They came, seeking something, but either they couldn't find it, or were unhappy with what they found (or else they were disappointed or angry), and then they left. One day, without warning, they vanished, with no explanation, no word of farewell. Like a silent hatchet had sliced the ties between them, ties through which warm blood still flowed, along with a quiet pulse. By Haruki Murakami Tsukuru Thinking Left Fated Found

She's got to be a ghost. First of all, she's just too beautiful. Her features are gorgeous, but it's not only that. She's so perfect I know she can't be real. She's like a person who stepped right out of a dream. The purity of her beauty gives me a feeling close to sadness - a very natural feeling, though one that only something extraordinary could produce. By Haruki Murakami Ghost Feeling Beautiful Gorgeous Real

You're here," I continued. "At least you look as if you're here. But maybe you aren't. Maybe it's just your shadow. The real you may be someplace else. Or maybe you already disappeared, a long, long time ago. I reach out my hand to see, but you've hidden yourself behind a cloud of probablys. Do you think we can go on like this forever? By Haruki Murakami Continued Long Shadow Disappeared Ago

Has the dark shadow really disappeared? Or is it inside me, concealed, waiting for its chance to reappear? Like a clever thief hidden inside a house, breathing quietly, waiting until everyone's asleep. I have looked deep inside myself, trying to detect something that might be there. But just as our consciousness is a maze, so too is our body. Everywhere you turn there's darkness, and a blind spot. Everywhere you find silent hints, everywhere a surprise is waiting for you. By Haruki Murakami Waiting Disappeared Inside Dark Shadow

My very existence, my life in the world, seemed like a hallucination. A strong wind would make me think my body was about to be blown to the end of the earth, to some land I had never seen or heard of, where my mind and body would separate forever. "Hold tight," I would tell myself, but there was nothing for me to hold on to. By Haruki Murakami Existence World Hallucination Life Hold

Imagine The Greatest Hits of Bobby Darin minus 'Mack the Knife.' That's what my life would be like without you. By Haruki Murakami Mack Knife Greatest Hits Bobby

Someone who can search for something is happy. Searching gives a meaning to life. Nowadays it's not so easy to find something you might be looking for. The most important thing, however, is the search itself, the way you take. It's not so important where it leads. that's why my characters are always looking for something, maybe only a cat, a sheep or a wife, but that is at least the beginning of a story. By Haruki Murakami Happy Search Important Searching Life

In those days I used to talk to myself as if reciting poetry. By Haruki Murakami Poetry Days Talk Reciting

I've become quite efficient, both technically and physically, at opening a hole in the hard rock and locating a new water vein. So as soon as I notice one water source drying up, I can move on right away to another. If people who rely on a natural spring of talent suddenly find they've exhausted their only source, they're in trouble. By Haruki Murakami Efficient Physically Vein Water Technically

I was not too crazy about sleeping with girls I didn't know. It was an easy way to take care of my sex drive of course, and I did enjoy all the holding and touching, but I hated the morning after. I'd wake up and find this strange girl sleeping next to me, and the room would reek of alcohol, and the bed and the lighting and the curtains had that special "love hotel" garishness, and my head would be in a hungover fog. By Haruki Murakami Crazy Sleeping Girls Girl Touching

Even if things were the same, people's perception of them might have been very different back then. The darkness of night was probably deeper then, so the moon must have been that much bigger and brighter. By Haruki Murakami People Things Perception Back Brighter

There was just one moon. That familiar, yellow, solitary moon. The same moon that silently floated over fields of pampas grass, the moon that rosea gleaming, round saucerover the calm surface of lakes, that tranquilly beamed down on the rooftops of fast-asleep houses. The same moon that brought the high tide to shore, that softly shone on the fur of animals and enveloped and protected travelers at night. The moon that, as a crescent, shaved slivers from the soulor, as a new moon, silently bathed the earth in its own loneliness. THAT moon. By Haruki Murakami Moon Silently Yellow Familiar Solitary

Search as you might, you will never know the clarity of distance without me. Still you can't say I didn't try,' my shadow says, then pauses. 'I loved you. By Haruki Murakami Search Clarity Distance Pauses Shadow

In this world, there are things you can only do alone, and things you can only do with somebody else. It's important to combine the two in just the right amount. By Haruki Murakami Things World Amount Important Combine

That's the most important thing for a sickness like ours: a sense of trust. If I put myself in this person's hands, I'll be OK. If my condition starts to worsen even the slightest bit - if a screw comes loose - he'll notice straight away, and with tremendous care and patience he'll fix it, he'll tighten the screw again, put all the jumped threads back in place. If we have that sense of trust, our sickness stays away. By Haruki Murakami Trust Important Thing Sense Sickness

Writing, to me, is the meaning of life. My life became something special because of writing. My desk is for me what the phone booth is for Clark Kent: Here I become Superman. I can do anything I want when I'm writing. I'm not afraid anymore. I can take anything from my imagination. I can save the world when I'm writing. But as soon as I leave the desk, I become Clark Kent again. Trust me, I am the most ordinary person in the world. I'm a good husband, I don't yell at anyone, never lose it. But I don't have a single idea for my literature in everyday life. When I run, cook or relax on the beach, there is absolutely nothing on my mind. By Haruki Murakami Writing Life Clark Kent Meaning

Girls my age never use the word "fair". Ordinary girls as young as I am are basically indifferent to whether things are fair or not. The central question for them is not whether something is fair but whether or not it's beautiful or will make them happy. "Fair" is a man's word, finally, but I can't help feeling that it is also exactly the right word for me now. By Haruki Murakami Fair Word Girls Age Ordinary

After she had gone through most of the songs she knew, she sang an old one that she said she had written herself. I'd love to cook a stew for you But I have no pot. I'd love to knit a scarf for you But I have no wool. I'd love to write a poem for you But I have no pen. "It's called 'I Have Nothing,'" Midori announced. It was a truly terrible song, both words and music. I listened to this musical mess with thoughts of how the house would blow apart in the explosion if the gas station caught fire. Tired of singing, Midori put her guitar down and slumped against my shoulder like a cat in the sun. "How did you like my song?" she asked. I answered cautiously, "It was unique and original and very expressive of your personality." "Thanks," she said. "The theme is that I have nothing." "Yeah, I kinda thought so. By Haruki Murakami Love Knew Midori Sang Written

Like a button on a shirt buttoned wrong, every attempt to correct things led to yet another fine not to say elegant mess. By Haruki Murakami Wrong Mess Button Shirt Buttoned

And she had a special ability to separate her body and her heart. I will give you one of them, she told Tsukuru. My body or my heart. But you can't have both. You need to choose one or the other, right now. I'll give the other part to someone else, she said. But Tsukuru wanted all of her. He wasn't about to hand over one half to another man. He couldn't stand that. If that's how it is, he wanted to tell her, I don't need either one. But he couldn't say it. By Haruki Murakami Heart Tsukuru Special Ability Separate

In other words, let's face it: Life is basically unfair. But even in a situation that's unfair, I think it's possible to seek out a kind of fairness. Of course, that might take time and effort. And maybe it won't seem to be worth all that. It's up to each individual to decide whether or not it is. By Haruki Murakami Life Unfair Words Face Basically

I don't know, there's something about you. Say there's an hourglass: the sand's about to run out. Someone like you can always be counted on to turn the thing over. By Haruki Murakami Hourglass Sand Run Counted Turn

They tell us that the only thing we have to fear is fear itself,but I don't believe that." he said. Then, a moment later, he added: "Oh,the fear is there, all right. It comes to us in many different forms, at different times, and overwhelms us. But the most frightening thing we can do at such times is to turn our backs on it, to close our eyes. For then we take the most precious thing inside us and surrender it to something else. In my case, that something was the wave. By Haruki Murakami Fear That Thing Ohthe Itselfbut

Generally speaking, there was no other way for a woman to take down a bigger, stronger man one-on-one. This was Aomame's unshakable belief. That part of the body was the weakest point attached to - or, rather, hanging from - the creature known as man, and most of the time, it was not effectively defended. Not to take advantage of that fact was out of the question. As a woman, Aomame had no concrete idea how much it hurt to suffer a hard kick in the balls, though judging from the reactions and facial expressions of men she had kicked, she could at least imagine it. Not even the strongest or toughest man, it seemed, could bear the pain and the major loss of self-respect that accompanied it. By Haruki Murakami Man Generally Speaking Bigger Stronger

In ancient times, people weren't just male or female, but one of three types: male/male, male/female, female/female. In other words, each person was made out of the components of two people. Everyone was happy with this arrangement and never really gave it much a thought. But then God took a knife and cut everybody in half, right down the middle. So after that the world was divided just into male and female, the upshot being that people spend their time running around trying to locate their missing other half. By Haruki Murakami Female Male People Types Ancient

If you use common sense and keep your eyes open, it becomes clear enough where the end is. By Haruki Murakami Open Common Sense Eyes Clear

So for all that we might speak words in each other's vicinity, this could never develop into anything that could be called a conversation. It was as though we were speaking in different languages. If the Dalai Lama were on his deathbed and the jazz musician Eric Dolphy were to try to explain to him the importance of choosing one's engine oil in accordance with changes in the sound of the bass clarinet, that exchange might have been more worthwhile and effective than my conversations with Noboru Wataya. By Haruki Murakami Vicinity Speak Words Develop Called

It was the usual noontime university scene, but as I sat watching it with renewed attention, I became aware of a certain fact. In his or her own way, each person I saw before me looked happy. Whether they were really happy or just looked it, I couldn't tell. But they did look happy on this pleasant early afternoon at the end of September, and because of that I felt a kind of loneliness that was new to me, as if I were the only one here who was not truly part of the scene. Come to think of it, what scene had I been part of in recent years? By Haruki Murakami Happy Attention Fact Scene Usual

Now and then may not be enough ... You have to enjoy it while you're still young. enjoy it to the fullest. You can use the memories of what you did to warm your body after you get old and can't do it anymore. By Haruki Murakami Enjoy Young Fullest Anymore Memories

And our ages never bothered her from the very beginning. I was married, but that didn't matter, either. She seemed to consider things like age and family and income to be of the same a priori order as shoe size and vocal pitch and the shape of one's fingernails. The sort of thing that thinking about won't change one bit. And that much said, well, she had a point. By Haruki Murakami Beginning Bothered Married Matter Ages

So why are they fighting? Political differences, right?" 208 grilled me."I guess you could say that.""So their ideas are in conflict?" continued 208."Yes. But then you could say that there are 1.2 million conflicting ideas in the world. Probably more.""So then it's almost impossible to be friends with anyone?" That was 209."That's true," I said. "It's just about impossible to be friends."This was my lifestyle in the 1970s. Prophesied by Dostoevsky, consolidated by yours truly. By Haruki Murakami Fighting Ideas Impossible Continued Political

Hey, Mr. Nakata. Gramps. Fire! Flood! Earthquake! Revolution! Godzilla's on the loose! Get up! By Haruki Murakami Hey Nakata Gramps Fire Flood

I know I'm a little different from everyone else, but I'm still human being. That's what I'd like you to realize. I'm just a regular person, not some monster. I feel the same things everyone else does, act the same way. Sometimes, though, that small difference feels like an abyss. But I guess there's not much I can do about it. By Haruki Murakami Human Realize Person Monster Feel

I mean, all I do here is do the work that my bosses tell me to do the way they tell me to do it. I don't have to think at all. It's like I just put my brain in a locker before I start work and pick it up on the way home. I spend seven hours a day at a workbench, planting hairs into wig bases, then I eat dinner in the cafeteria, take a bath, and of course I have to sleep, like everybody else, so out of a twenty-four-hour day, the amount of free time I have is like nothing. And because I'm so tired from work, the 'free time' I have I mostly spend lying around in a fog. I don't have any time to sit and think about anything. Of course, I don't have to work on the weekends, but then I have to do the laundry and cleaning I've let go, and sometimes I go into town, and before I know it the weekend is over. I once made up my mind to keep a diary, but I had nothing to write, so I quit after a week. I mean, I just do the same thing over and over again, day in, day out. By Haruki Murakami Work Day Time Bosses Free

Kind of," I said, "still, think about this. Everyone's built the same. It's like we're all riding together on a broken airplane. Of course there are lucky people, there are also unlucky people. There're tough people, and weak people, rich people, and poor people. However, not a single person's broken the mold with his toughness. We're all the same. Everyone who has something is afraid of losing it, and people with nothing are worried they'll forever have nothing. Everyone is the same. The sooner you realize that, the sooner you'll want to get stronger. Even if you're just pretending. Don't you think? By Haruki Murakami People Kind Broken Sooner Built

When you fall in love, the natural thing to do is give yourself to it. That's what I think. It's just a form of sincerity. By Haruki Murakami Love Fall Natural Thing Give

The way I see it, the true fear for us as human being is not terror as such. Terror certainly exists there... It manifests itself in various forms, and from time to time overwhelms our very existence as human beings. But the most fearful thing of all is to turn your back on that fear, to close your eyes to it. By doing that, we end up alienating the very most essential part of our make-up By Haruki Murakami Human Terror True Fear Time

Since I'm a novelist I'm the opposite of you - I believe that what's most important is what cannot be measured. I'm not denying your way of thinking, but the greater part of people's lives consist of things that are unmeasurable, and trying to change all these to something measurable is realistically impossible. By Haruki Murakami Measured Novelist Opposite Important Thinking

Miracles are the devil's temptations. By Haruki Murakami Miracles Temptations Devil

It was her personal view that people who are overly choosy about the drinks they order in a bar tend to be sexually bland. She had no idea why this should be so. By Haruki Murakami Bland Personal View People Overly

She liked the fact that he had not chosen Chivas Regal or some sophisticated single malt. It was her personal view that people who are overly choosy about the drinks they order in a bar tend to be sexually bland. By Haruki Murakami Chivas Regal Malt Fact Chosen

There's not a branch of publishing or broadcasting that doesn't depend in some way on advertising. It'd be like an aquarium without water. Why, ninety-five percent of the information that reaches you has already been preselected and paid for. By Haruki Murakami Advertising Branch Publishing Broadcasting Depend

Read it in the paper the other day. I meant to tell you about it, but I forgot. It was an interview with some veterinarian. Apparently, horses are tremendously influenced by the phases of the moon - both physically and emotionally. Their brain waves go wild as the full moon approaches, and they start having all kinds of physical problems. Then, on the night itself, a lot of them get sick, and a huge number of those die. Nobody really knows why this happens, but the statistics prove that it does. Horse vets never have time to sleep on full-moon nights, they're so busy. By Haruki Murakami Read Day Paper Moon Forgot

In his or her own way, everyone I saw before me looked happy. Whether they were really happy or just looked it, I couldn't tell. But they did look happy on this pleasant early afternoon in late September, and because of that I felt a kind of loneliness new to me, as if I were the only one here who was not truly part of the scene. By Haruki Murakami Happy Looked September Scene Pleasant

You're really cute, Midori," I corrected myself."What do you mean really cute?""So cute the mountains crumble and the oceans dry up. By Haruki Murakami Midori Cute Myself Corrected Mountains

Sometimes, when one is moving silently through such an utterly desolate landscape, an overwhelming hallucination can make one feel that oneself, as an individual human being, is slowly being unraveled. The surrounding space is so vast that it becomes increasingly difficult to keep a balanced grip on one's own being. The mind swells out to fill the entire landscape, becoming so diffuse in the process that one loses the ability to keep it fastened to the physical self. The sun would rise from the eastern horizon, and cut it's way across the empty sky, and sink below the western horizon. This was the only perceptible change in our surroundings. And in the movement of the sun, I felt something I hardly know how to name: some huge, cosmic love. By Haruki Murakami Landscape Oneself Unraveled Moving Silently

She's kind of funny looking. Her face is out of balancebroad forehead, buttonnose, freckled cheeks, and pointy ears. A slammed-together, rough sort of face you can't ignore. Still, the whole package isn't so bad. For all I know maybe she's not so wildabout her own looks, but she seems comfortable with who she is, and that's the important thing. By Haruki Murakami Kind Funny Face Buttonnose Forehead

If Sara chooses me, accepts me, he thought, I'm going to propose to her right away. And give her everything I'm capable of giving - every single thing. Before I get lost in a dark forest. Before the bad elves grab me. By Haruki Murakami Sara Accepts Thought Chooses Propose

I think memory is the most important asset of human beings. It's a kind of fuel; it burns and it warms you. My memory is like a chest: There are so many drawers in that chest, and when I want to be a fifteen-year-old boy, I open up a certain drawer and I find the scenery I saw when I was a boy in Kobe. I can smell the air, and I can touch the ground, and I can see the green of the trees. That's why I want to write a book. By Haruki Murakami Memory Important Asset Human Chest

The majority of people dismiss those things that lie beyond the bounds of their own understanding as absurd and not worth thinking about. I myself can only wish that my stories were, indeed, nothing but incredible fabrications. I have stayed alive all these years clinging to the frail hope that these memories of mine were nothing but a dream or a delusion. I have struggled to convince myself that they never happened. But each time I tried to push them into the dark, they came back stronger and more vivid than ever. Like cancer cells, these memories have taken root in my mind and eaten into my flesh. By Haruki Murakami Majority People Dismiss Things Lie

She tried to think about what lay ahead, but soon gave up. 'Words turn into stone,' Nimit had told her. She settled deep into her seat and closed her eyes. All at once the image came to her of the sky she had seen while swimming on her back. And Erroll Garner's 'I'll Remember April.' Let me sleep, she thought. Just let me sleep. And wait for the dream to come. By Haruki Murakami Ahead Lay Gave Words Nimit

No matter what you tell me, no matter how legitimate your reasons, I can never just forget about you, I can never push the years we spent together out of my mind. I can't do it because it really happened, they are part of my life, and there is no way I can just erase them. That would be the same as erasing my own self. By Haruki Murakami Matter Reasons Mind Legitimate Forget

One more nice thing about short stories is that you can create a story out of the smallest details -an idea that springs up in your mind, a word, an image, whatever. In most cases it's like jazz improvisation, with the story taking me where it wants to. And another good point is that with short stories you don't have to worry about failing. If the idea doesn't work out the way you hoped it would, you just shrug your shoulders and tell yourself that they can't all be winners. Even with masters of the genre like F. Scott Fitzgerald and Raymond Carver -even Anton Chekhov- not every short story is a masterpiece. I find this a great comfort. You can learn from your mistakes (in other words, those you can't call complete success) and use that in the next story you write. By Haruki Murakami Story Short Details Mind Image

Once you're lost, you panic. You're in total despair, not knowing what to do. I hate it when that happens. Sex can be a real pain that way, 'cause when you get in the mood all you can think about is what's right under your nose - that's sex, all right. By Haruki Murakami Lost Panic Sex Despair Total

When Reiko left, I stretched out on the sofa and closed my eyes. I lay there steeping myself into silence when, out of nowhere, I thought of the time Kizuki and I took a motorcycle trip. That had been autumn too, I realized. Autumn how many years ago? Yes, four years ago. I recalled the small of Kizuki's leather jacket and the racket made by that red Yamaha 125cc bike. We went to a spot far down the coast, and came back the same evening, exhausted. Nothing special happened on that trip, but I remembered it well. the sharp autumn wind moaned in my ears, and looking up at the sky, my hands clutching Kizuki's jacket, I felt as if I might be swept into outer space. By Haruki Murakami Reiko Kizuki Left Eyes Autumn

New York in November really does have a special charm to it. The air is clear and crisp, and the leaves on the trees in Central Park are just beginning to turn golden. The sky is so clear you can see forever, and the skyscrapers lavishly reflect the sun's rays. You feel you can keep on walking one block after another without end. Expensive cashmere coats fill the windows at Bergdorf Goodman, and the streets are filled with the delicious smell of roasted pretzels. By Haruki Murakami York November Special Charm Clear

The same goes for our dealings with sheep. Sheep raising in Japan has failed precisely because we've viewed sheep merely as a source of wool and meat. The daily-life level is missing from our thinking. We minimize the time factor to maximize the results. It's like that with everything. In other words, we don't have our feet on solid ground. By Haruki Murakami Sheep Dealings Japan Meat Raising

Maybe she's not looking at me, but beyond me. In the depths of our crater lake, all is silent. The volcano's been extinct for ages. Layer upon layer of solitude, like folds of soft mud. The little bit of light that manages to penetrate to the depths lights up the surroundings like the remnants of some faint, distant memory. By Haruki Murakami Depths Layer Lake Silent Crater

Solitude is, more or less, an inevitable circumstance. Sometimes, however, this sense of isolation, like acid spilling out of a bottle, can unconsciously eat away at a person's heart and dissolve it. You could see it, too, as a kind of double-edged sword. It protects me, but at the same time steadily cuts away at me from the inside. I think in my own way I'm aware of this danger - probably through experience - and that's why I've had to constantly keep my body in motion, in some cases pushing myself to the limit, in order to heal the loneliness I feel inside and to put it in perspective. Not so much as an intentional act, but as an instinctive reaction. By Haruki Murakami Solitude Circumstance Inevitable Inside Isolation

You, after all, are well aware of what it is to become one of the men without women. You are a faintly colored Persian carpet, and loneliness is the indelible stain of Bordeaux. And so your loneliness is brought in from France, and the pain of your wounds from the Middle East. For the men without women, the world is a vast and keen mixture, it is just exactly the far side of the moon. By Haruki Murakami Women Men Aware Loneliness Bordeaux

Look- what I'm getting at is no matter who or what you're dealing with, people build up meaning between themselves and the things around them. The important thing is whether this comes about naturally or not. Being bright has nothing to do with it. What matters is that you see things with your own eyes... There's always going to be a connection between you, Mr. Nakata, and the things you deal with. Just like there's a connection between eel and rice bowls. And as the web of these connections spreads out, a relationship between you, Mr. Nakata, and capitalists and the proletariat naturally develops.~page 189 By Haruki Murakami Nakata Things People Dealing Build

Way back when the Sam Peckinpah film The Wild Bunch premiered, a woman journalist raised her hand at the press conference and asked the following: "Why in the world do you have to show so much blood all over the place?" She was pretty worked up about it. One of the actors, Ernest Borgnine, looked a bit perplexed and fielded the question. "Lady, did you ever see anyone shot by a gun without bleeding?" This film came out at the height of the Vietnam War. I love that line. That's gotta be one of the principles behind reality. Accepting things that are hard to comprehend, and leaving them that way. And bleeding. Shooting and bleeding. By Haruki Murakami Sam Peckinpah Wild Bunch Bleeding

You enjoy solitude?" she asked, leaning her cheek on her hand. "Traveling alone, eating alone, sitting off by yourself in lecture halls ... ""Nobody likes being alone that much. I don't go out of my way to make friends, that's all. It just leads to disappointment."The tip of one earpiece in her mouth, sunglasses dangling down, she mumbled, "'Nobody likes being alone. I just hate to be disappointed.' You can use that line if you ever write your autobiography.""Thanks," I said."Do you like green?""Why do you ask?""You're wearing a green polo shirt.""Not especially. I'll wear anything.""'Not especially. I'll wear anything.' I love the way you talk. Like spreading plaster nice and smooth. Has anybody ever told you that?""Nobody," I said. By Haruki Murakami Solitude Asked Leaning Hand Enjoy

Even so, there were times I saw freshness and beauty. I could smell the air, and I really loved rock 'n' roll. Tears were warm, and girls were beautiful, like dreams. I liked movie theaters, the darkness and intimacy, and I liked the deep, sad summer nights. By Haruki Murakami Beauty Times Freshness Roll Air

I felt alone, but not especially lonely. I guess I just took that for granted. By Haruki Murakami Lonely Felt Granted Guess

But tomorrow I'll be a different person, never again the person I was. Not that anyone will notice after I'm back in Japan. On the outside nothing will be different. But something inside has burned up and vanished. Blood has been shed, and something inside me is gone. Head down, without a word, that something makes its exit. The door opens; the door shuts. The light goes out. This is the last day for the person I am right now. The very last twilight. When dawn comes, the person I am won't be here anymore. Someone else will occupy this body. By Haruki Murakami Person Tomorrow Japan Inside Door

I was ready to get the hell off the mountain, but somehow that offered no satisfaction. I had gotten in too deep. I would have been so easy if only I could have cried. But crying wasn't an option, because I felt that far ahead of me there was something really worth crying about. By Haruki Murakami Mountain Satisfaction Ready Hell Offered